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[50] According to Grohs,but the numerous illustrations also served commercial purposes, as the depiction of African art in catalogues considerably increased the value of a sculpture on the fine art market. [51] Overall, Grohs believes that the current interest in African art is determined by the public interest in Europe and America.
African art includes prehistoric and ancient art, the Islamic art of West Africa, the Christian art of East Africa, and the traditional artifacts of these, and other regions. Many African sculptures were historically made of wood and other natural materials that have not survived from earlier than a few centuries ago, although rare older ...
Africa Explores: 20th-Century African Art. Center for African Art, 1994. Woodward, Richard B. African Art: Virginia Museum of Fine Arts. The Museum, 2000. Roberts, Allen F., et al. Animals in African Art: from the Familiar to the Marvelous. The Museum for African Art, 1995. "Baga - Art & Life in Africa - The University of Iowa Museum of Art."
Historians of African art (1 C, 21 P) African art museums (2 C, 26 P) / ... Makonde art; Makonde chess set; Masquerade in Mende culture; N. National Arts Council of ...
Mask from Gabon Two Chiwara c. late 19th early 20th centuries, Art Institute of Chicago.Female (left) and male, vertical styles. Most African sculpture from regions south of the Sahara was historically made of wood and other organic materials that have not survived from earlier than a few centuries ago, while older pottery figures are found from a number of areas.
Robert Scott Duncanson, Landscape with Rainbow c. 1859, Hudson River School, Smithsonian American Art Museum, Washington, DC.. This list of African-American visual artists is a list that includes dates of birth and death of historically recognized African-American fine artists known for the creation of artworks that are primarily visual in nature, including traditional media such as painting ...
ISBN 0-9661532-1-9; Cloth as Metaphor: (re)reading the Adinkra cloth symbols of the Akan of Ghana by Dr George F. Kojo Arthur. Legon, Ghana: Centre for Indigenous Knowledge Systems, 2001. 187 [6], p. 29 cm. ISBN 9988-0-0791-4; African Accents: Fabrics and Crafts to Decorate Your Home by Lisa Shepard. ISBN 0-87341-789-5
Another example for subverting binary taxonomies is the book Contemporary African Art after 1980 by Okwui Enwezor and Chika Okeke-Agulu. [22] Rather than putting contemporary African art in relation to Western traditions, they contrast it with modern African art, in that it defies linear grand narratives of modernism and is radically postcolonial.
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