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Christ Carrying the Cross (also referred to as Christ Bearing the Cross) is a painting attributed to a follower of Hieronymus Bosch. It was painted in the early 16th century, presumably between 1510 and 1535. The work is housed in the Museum of Fine Arts in Ghent, Belgium. Various aspects of the painting have been a source of scholarly debate. [1]
Jesus himself is portrayed in a realistic fashion, with his body slumped and twisted rather unsettlingly as he is carried down the cross displaying the lifeless quality of his form. Jesus' physical body shape is very rounded, almost Rubenesque , raising the question of whether Rembrandt was influenced by Rubens' notably voluptuous figures. [ 2 ]
Andrea di Bartolo, Way to Calvary, c. 1400.The cluster of halos at the left are the Virgin Mary in front, with the Three Marys. Sebastiano del Piombo, about 1513–14. Christ Carrying the Cross on his way to his crucifixion is an episode included in the Gospel of John, and a very common subject in art, especially in the fourteen Stations of the Cross, sets of which are now found in almost all ...
Christ of Saint John of the Cross is a painting by Salvador Dalí made in 1951 which is in the collection of the Kelvingrove Art Gallery and Museum, Glasgow. It depicts Jesus Christ on the cross in a darkened sky floating over a body of water complete with a boat and fishermen.
The Deposition of Christ and the Lamentation or Pietà form the 13th of the Stations of the Cross, as well as one of the Seven Sorrows of the Virgin. Although the Pietà most often shows the Virgin Mary holding Jesus, there are other compositions, including those where God the Father participates in holding Jesus Christ. In Spain the Virgin ...
The painting, Christ Carrying the Cross, had been owned by Sir William Stirling Maxwell (1818–1878), General Archibald Stirling, and Lieutenant Colonel William Stirling. In 1953 it was acquired by Robert Lehman , and in 1975 it was acquired as part of his collection by the Metropolitan Museum of Art in New York.
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The deposition of the dead Christ from the Cross has been a symbolic theme since the fifteen century. Ruben got the idea for the painting Descent from the Cross before he was commissioned by the Harquebusiers. [6] Unlike The Descent from the Cross (van der Weyden), Christ's body is lowered down carefully by group of men. Ruben uses the white ...