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Mogu-Hua (Traditional Chinese: 沒骨畫, or 沒骨畵; Simplified Chinese: 没骨画; Pinyin: Mògǔ Huà; "Huà" means "to paint"), mainly mentions the painting or work has such style or created by such technique. [citation needed]
Ambassador from Persia (波斯國), visiting the court of the Tang dynasty. The Gathering of Kings (王会图), circa 650 CE. The Portraits of Periodical Offering (simplified Chinese: 职贡图; traditional Chinese: 職貢圖; pinyin: Zhígòngtú) were tributary documentative paintings (with illustration on each of the portrait) produced by various Chinese dynasties and later as well in other ...
Manual of the Mustard Seed Garden (芥子園畫傳, Jieziyuan Huazhuan), sometimes known as Jieziyuan Huapu (芥子園畫譜), is a printed manual of Chinese painting compiled during the early-Qing Dynasty. Many renowned later Chinese painters, like Qi Baishi, began their drawing lessons with the manual.
Starting in the mid-twentieth century, artists begin to combine traditional Chinese painting techniques with Western art styles, leading to the style of new contemporary Chinese art. One of the representative artists is Wei Dong who drew inspirations from eastern and western sources to express national pride and arrive at personal actualization ...
From the annotations of the text of the painting, on the 11th month of 1329, the painting entered the collection of Jayaatu Khan Tugh Temür (Emperor Wenzong of Yuan), whose ownership of the painting was seen as a reminder of his duties to his subjects, as according to Cahill, the painting evokes the hardships of the everyman. [4] [7]
Freehand brush work is a genre of Chinese traditional painting which includes poem, calligraphy, painting and seal. In Chinese called Hsieh yi (traditional Chinese: 寫意; simplified Chinese: 写意; pinyin: Xiěyì), which literally means "writing ideas". [1] It was formed in a long period of artistic activities and promoted by the literati.
"One-Corner" or "Ma's One-Corner" (Chinese traditional: 馬一角; Chinese simplified: 马一角）is a particular type of composition in traditional Chinese painting. It was popular in the Southern Song dynasty Imperial Academy Painting, and the painters pushed the actual subjects of the painting to one corner and set them against the empty background suggestive of mist or snow. [1]
The Cleveland Painting is one of the Cleveland Museum of Art's oldest dated Chinese painting, acquired in 1933. [2] It depicts the misty riverscape of the Yangtze Delta . [ 2 ] As a result of the turmoil during the Jin-Song war, Mi Youren fled the scene where upon the encounter of the landscape, he painted this piece on September 11, 1130.
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