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One or "a" (indefinite article), as exemplified in the following entries un poco or un peu (Fr.) A little una corda One string (i.e., in piano music, depressing the soft pedal, which alters and reduces the volume of the sound). For most notes in modern pianos, this results in the hammer striking two strings rather than three.
It is a generic name for any composition for the instrument, but when used in a title (Piano Piece, Piece for Piano) the name is used to indicate a (usually) single-movement composition for solo piano that has not been given a more specific name (such as Sonatina, Allegro de concert or Le Bananier), for example:
ORGAN 2 /ASLSP (As Slow as Possible) is a musical piece by John Cage and the subject of the second-longest-lasting (after Longplayer) musical performance yet undertaken. [1] Cage wrote it in 1987 for organ, as an adaptation of his 1985 composition ASLSP for piano. A performance of the piano version usually lasts 20 to 70 minutes. [2]
Achieving this goal requires an absolutely steady tempo for the duration of the piece, which Johnson has set at quarter note = 59.225 beats per minute. The only recording that is exactly sixty minutes long was released by the Irritable Hedgehog label and performed by R. Andrew Lee. [2] An Hour for Piano is deceptively simple, with six basic ...
In music, the dynamics of a piece are the variation in loudness between notes or phrases.Dynamics are indicated by specific musical notation, often in some detail.However, dynamics markings require interpretation by the performer depending on the musical context: a specific marking may correspond to a different volume between pieces or even sections of one piece.
Piano Symphony No. 6 (Symphonia claviensis) Kaikhosru Shapurji Sorabji 4¾ hours 270 (manuscript) [6] [19] [20] A3 Premiered by Jonathan Powell. [19] Piano Symphony No. 4 Kaikhosru Shapurji Sorabji 4½ hours 240 (manuscript) A3 Premiered by Reinier van Houdt. [21] [22] [23] Opus clavicembalisticum: Kaikhosru Shapurji Sorabji 4 hours
"Now Is the Hour" (Māori: Pō Atarau) is a popular song from the early 20th century. Often erroneously described as a traditional Māori song, [ 1 ] its creation is usually credited to several people, including Clement Scott (music), and Maewa Kaihau and Dorothy Stewart (arrangement and lyrics).
A reduction for solo piano is sometimes called a piano reduction or piano score. During opera rehearsals, a répétiteur (piano player) will typically read from a piano reduction of the opera. When a choir is learning a work scored for choir and full orchestra, the initial rehearsals will usually be done with a pianist playing a piano reduction ...