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Mathnawi (Arabic: مثنوي, mathnawī) or masnavi (Persian: مثنوی, mas̲navī) is a kind of poem written in rhyming couplets, or more specifically "a poem based on independent, internally rhyming lines". Most mathnawī poems follow a meter of eleven, or occasionally ten, syllables, but had no limit in their length. [1]
A heroic couplet is a traditional form for English poetry, commonly used in epic and narrative poetry, and consisting of a rhyming pair of lines in iambic pentameter.Use of the heroic couplet was pioneered by Geoffrey Chaucer in the Legend of Good Women and the Canterbury Tales, [1] and generally considered to have been perfected by John Dryden and Alexander Pope in the Restoration Age and ...
Decasyllabic quatrain is a poetic form in which each stanza consists of four lines of ten syllables each, usually with a rhyme scheme of AABB or ABAB. Examples of the decasyllabic quatrain in heroic couplets appear in some of the earliest texts in the English language, as Geoffrey Chaucer created the heroic couplet and used it in The Canterbury Tales. [1]
Cautionary Tales for Children: Designed for the Admonition of Children between the ages of eight and fourteen years is a 1907 children's book written by Hilaire Belloc. It is a parody of the cautionary tales that were popular in the 19th century. [1] The poems are a sardonic critique of Victorian era upper class society. [2]
The poem is one of the most recited and sung poems in Hindi literature. An emotionally charged description of the life of the queen of Jhansi(British India) and her participation in the 1857 revolution, it is often taught in schools in India. [4] [12] A couplet repeated at the end of each stanza reads thus:
Poems in rhyming couplets, each couplet with a different rhyme, thus with the scheme AA BB CC. A poem of this type is known as a masnavi (plural masnavīyāt ). The poems in rhyming couplets can be of any length from a single couplet to long poems such as Ferdowsi 's Shahnameh , which is over 50,000 couplets long, or Rumi 's Masnavi-ye Ma'navi ...
The Landay (Pashto: لنډۍ) is a traditional Afghan poetic form consisting of a single couplet. There are nine syllables in the first line, and thirteen syllables in the second. These short poems typically address themes of love, grief, homeland, war, and separation. [1]
This makes the caesura arguably more important to the Old English verse than it was to Latin or Greek poetry. In Latin or Greek poetry, the caesura could be suppressed for effect in any line. In the alliterative verse that is shared by most of the oldest Germanic languages, the caesura is an ever-present and necessary part of the verse form itself.
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