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The study of African art until recently focused on the traditional art of certain well-known groups on the continent, with a particular emphasis on traditional sculpture, masks and other visual culture from non-Islamic West Africa, Central Africa, [15] and Southern Africa with a particular emphasis on the 19th and 20th centuries. Recently ...
From the Kerma culture (2500–1500 BCE), the seat of one of the earliest civilizations of ancient Africa, weapons, items of pottery and other household objects are presented in museums such as the National Museum of Sudan, Kerma Museum, British Museum, Museum of Fine Arts, Boston [7] and the Metropolitan Museum of Art.
African folk art consists of a variety of items: household objects, metal objects, toys, textiles, masks, and wood sculpture. Most traditional African art meets many definitions of folk art generally, or at least did so until relatively recent dates.
A large part of uli are the repeated abstract designs, or motifs, that are reused and adapted across different pieces. [1] These motifs are named for either the part of the natural environment they resemble, the method of execution used to make the design, or the abstract shape they form. [4]
It is a hallmark of African cultures in general that art touches many aspects of life, and most tribes have a vigorous and often recognisable canon of styles and a great range of art-worked objects. These can include masks , drums , textile decoration, beadwork, carving, sculpture , ceramic in various forms, housing and the person themselves.
Mask from Gabon Two Chiwara c. late 19th early 20th centuries, Art Institute of Chicago.Female (left) and male, vertical styles. Most African sculpture from regions south of the Sahara was historically made of wood and other organic materials that have not survived from earlier than a few centuries ago, while older pottery figures are found from a number of areas.
Nsibidi is used to design the 'ukara ekpe' woven material which is usually dyed blue (but also green and red) and is covered in Nsibidi symbols and motifs. Ukara ekpe cloths are woven in Abakaliki, and then they are designed by male Nsibidi artists in the Igbo-speaking towns of Abiriba, Arochukwu and Ohafia to be worn by members of the Ekpe ...
However, certain motifs can depend on the artist's abilities and craftmanship, as well as skills taught from older generations. The patterns of Adire are often representations of plants, animals, tools, and conceptual themes. Traditional themes are categorized into geometric, figural, skewmorphic, letters, and celestiomorphic types. [5]