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He composed 86 highly successful secular works and 119 sacred pieces. Secular music also was aided by the formation of literature during the reign of Charlemagne that included a collection of secular and semi-secular songs. Guillaume de Machaut was another example of a leading composer who continued the trouvere tradition. [4]
At least according to one scholar, Jacob M. Landau, not only is secular and folk music found in regions throughout the Muslim world, but Islam has its own distinctive category of music -- the "Islamic music" or the "classical Islamic music" — that began development "with the advent of Islam about 610 CE" as a "new art". [40]
Most notated music consisted of the simultaneous flow of several different melodies, all independent and equally important, or polyphony. Usually made of four or five different choral parts, the music was originally for unaccompanied voices and was used mostly in the mass and motet of church music and the madrigal in secular music.
The second type of music is the secular instrumental music in the Moravian collections. This includes some music by Moravian composers, but by far the greater part of the instrumental music is not by Moravians, instead by composers who were the most popular ones in Europe in the middle 18th century and later.
The most prominent secular forms used by the Burgundians were the four formes fixes (rondeau, ballade, virelai, and bergerette), all generically known as chansons. Of the four, the rondeau was by far the most popular; at any rate more rondeaux have survived than any other form.
Living in London at the same time as Shakespeare, Morley was the most famous composer of secular music in Elizabethan England. He and Robert Johnson are the composers of the only surviving contemporary settings of verse by Shakespeare. Morley was active in church music as a singer, composer and organist at St Paul's Cathedral. He was also ...
The first use of the term air de cour was in Adrian Le Roy's Airs de cour miz sur le luth (Book on Court Tunes for the Luth), [1] a collection of music published in 1571. The earliest examples of the form are for solo voice accompanied by lute; [2] towards the end of the 16th century, four or five voices are common, sometimes accompanied (or instrumental accompaniment may have been optional ...
The secular popular tradition of music continued, despite attempts by the Kirk, particularly in the Lowlands, to suppress dancing and events like penny weddings at which tunes were played. Large numbers of musicians continued to perform, including the fiddler Pattie Birnie and the piper Habbie Simpson (1550–1620).