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A reading of "Fire and Ice" "Fire and Ice" is a short poem by Robert Frost that discusses the end of the world, likening the elemental force of fire with the emotion of desire, and ice with hate. It was first published in December 1920 in Harper's Magazine [1] and was later published in Frost's 1923 Pulitzer Prize-winning book New Hampshire ...
The four "Fire" sequences all have a common theme, destruction. Martyrdom, war, the loss of love and environmental apocalypse end each sequence to repeat the threat "it will be fire". Other recurring themes are rats, tinnitus, war, and environmental damage. [2] Harsent, who suffers from tinnitus, said he "wrote them [the poems] in a fever". [3]
This compound image is used to discuss the connection of holy places with the Holy Spirit, Pentecost, communion with the dead, and the repetition of history. [11] The theme is also internal to Eliot's own poems; the image of the rose garden at the end Little Gidding is the image that begins Burnt Norton and the journey is made circular. [12]
The "Song of the Bell" (German: "Das Lied von der Glocke", also translated as "The Lay of the Bell") is a poem that the German poet Friedrich Schiller published in 1798. It is one of the most famous poems of German literature and with 430 lines one of Schiller's longest.
"A Divine Image" is a poem by William Blake from Songs of Experience, not to be confused with "The Divine Image" from Songs of Innocence. The poem only appeared in copy BB of the combined Songs of Innocence and of Experience. [1] Ralph Vaughan Williams set the poem to music in his 1958 song cycle Ten Blake Songs, under the title "Cruelty Has a ...
The poem describes a local blacksmith and his daily life. The blacksmith serves as a role model who balances his job with the role he plays with his family and community. Years after its publication, a tree mentioned in the poem was cut down and part of it was made into an armchair which was then presented to Longfellow by local schoolchildren.
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The poem was first published under the title "Massa Nemirov" ("The Vision of Nemirov") in the newspaper HaZman, edited by Ben-Tzion Katz, in the city of Petersburg. [2] The change of title and the omission of several lines in the poem were necessary in order to gain the approval of the censor, the converted Jew Landau, for the publication of the poem.