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Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
Keshavdas Mishra (Hindi pronunciation: [keːɕəvəd̪ɑːsə miɕrə]; 1555–1617), usually known by the mononym Keshavdas, was an Indian Poet, Writer, Scholar and administrator who was best known for his work Rasikpriya , a pioneering work of the Riti Kaal of Hindi literature. He was patronized by Vir Singh Deo of Orchha.
Harshacharita :The Harshacharita (Sanskrit: हर्षचरित, Harṣacarita) (The deeds of Harsha), is the biography of Indian emperor Harsha by Banabhatta, also known as Bana, who was a Sanskrit writer of seventh-century CE India. He was the Asthana Kavi, meaning Court Poet, of Harsha.
Hindi literature started as religious and philosophical poetry in medieval periods in dialects like Avadhi and Brij. The most famous figures from this period are Kabir and Tulsidas . In modern times, the Dehlavi dialect of the Hindi Belt became more prominent than Sanskrit .
Swadesh Deepak (born 1943) is an Indian playwright, novelist and short-story writer. Deepak has been active on the Hindi literary scene since the mid-1960s and is best known for Court Martial, a 1991 play.
The Harshacharita (Sanskrit: हर्षचरित, Harṣacarita; English: The deeds of Harsha) is the biography of Indian emperor Harsha by Banabhatta, also known as Bana, who was a Sanskrit writer of seventh-century CE India.
An inscription about one of Bhushan's poems about Chattrapati Shivaji, at the Birla Mandir, Delhi. Shri Kavi Bhushan ji(c. 1613–1715) [1] was an Indian poet in the courts of the Bundeli king Chhatrasal [2] and the Maratha king Chatrapati Shivaji Maharaj I. [1]
Nautch dancers in Old Delhi, c. 1874 Nautch dancer in Calcutta, c. 1900 A Raja awaits the arrival of Nautch dancers A Nautch girl performing, 1862. The nautch (/ ˈ n ɔː tʃ /, meaning "dance" or "dancing" from Hindustani: "naach") [1] was a popular court dance performed by girls (known as "nautch girls") in later Mughal and colonial India. [2]