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Junk is the seventh studio album by French electronic music band M83, released on 8 April 2016 on Naïve Records in France and Mute Records in the United States. [2] It is the first album released by the band in a half-decade since 2011's Hurry Up, We're Dreaming and the first release since Digital Shades Vol. 1 (2007) without longtime vocalist and keyboardist Morgan Kibby.
M83 (French pronunciation: [ɛm katʁ(ə)vɛ̃tʁwɑ]) is a French electronic music group formed in Antibes in 1999. Initially the duo of multi-instrumentalists Nicolas Fromageau and Anthony Gonzalez, Fromageau parted ways shortly after touring for their second album Dead Cities, Red Seas & Lost Ghosts . [ 9 ]
The discography of French electronic music project M83. It consists of nine studio albums and thirty-four singles. Their debut studio album, M83, was released in April 2001. Their second studio album, Dead Cities, Red Seas & Lost Ghosts, was released in April 2003. The album peaked at number 116 on the French Albums Chart.
During the mid-1990s through the early 2000s (decade), DMX and K-Solo, who first met as inmates in prison during the course of K-Solo's three-year prison stint, disputed over who was the first to write "Spellbound". Despite that K-Solo released his version in 1990, DMX, who released his version in 1991, claimed that he was the first to write ...
"Midnight City" is a song by French electronic music band M83. The track was first released in France on 16 August 2011, as the lead single from the group's sixth studio album, Hurry Up, We're Dreaming (2011).
Kibby has embarked on a solo project since touring with M83, called White Sea, which is a translation of her name. [12] Her first track, a remix of Solid Gold's "Synchronize", first appeared on her MySpace. A second track titled "Overdrawn" was released to her MySpace in March, revealing a new musical direction for Kibby.
The instrumentalist improvising a solo may use scales that work well with certain chords or chord progressions, according to the chord-scale system. For example, in rock and blues soloing, the pentatonic scale built on the root note is widely used to solo over straightforward chord progressions that use I, IV, and V chords (in the key of C ...
It makes playing in the key of A major easier, though chord fingerings have to be altered unless the strings are rearranged to F ♯-B-E-A-C ♯. Open G tuning – G-d-g-b-d' Some slide/bottleneck guitarists omit the bottom E string when playing in open G to have the root note as the tonic.