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Swing Fever is a collaborative album by British singer Rod Stewart and English composer Jools Holland, released on 23 February 2024. It features Holland's Rhythm and Blues Orchestra , and contains covers of songs from the big band era.
Holland began his career as a session musician.His first studio session was with Wayne County & the Electric Chairs in 1976 on their track "Fuck Off". [4]Holland was a founding member of the British pop band Squeeze, formed in March 1974, in which he played keyboards until 1980, through its first three albums, the eponymous Squeeze, Cool for Cats and Argybargy, before pursuing his solo career.
Christopher had also played Hammond organ on the album's fourth single "Heartbreaking World", which was sung by Jools Holland. However, Christopher Holland's tenure was short-lived, for he had signed to I.R.S. Records and was pursuing a solo career, so he was replaced by an official new member: Andy Metcalfe of The Soft Boys and The Egyptians ...
It should only contain pages that are Jools Holland albums or lists of Jools Holland albums, as well as subcategories containing those things (themselves set categories). Topics about Jools Holland albums in general should be placed in relevant topic categories .
Cool for Cats is the second studio album by the English new wave group Squeeze, released in 1979. Cool for Cats contains four UK hit singles , [ 3 ] more than any other album the band has issued. The album peaked at number 45 in the UK Albums Chart , spending 11 weeks in that listing.
Sir Rod Stewart will not be slowed. Highlights in 2024 include his 200th show at his Las Vegas residency, an ongoing world tour and a new swing album. “Swing Fever” is a collaboration with ...
It was subsequently added to their previous album's re-release Just Enough Education to Perform as track seven and on their first compilation album as the final track. [ 8 ] [ 9 ] The band originally recorded their version as a demo "for a laugh", but after the record company heard it they saw the potential of it being a single and subsequently ...
The final breaths of this character may close the album, but Jones's belly-deep bellow abides." [2] Rogers' colleague, Observer critic Johnny Davis, wrote: "Jones bares his inner songwriter to Lily Allen producers Future Cut. Reflections on love, life and 'the wife' abound as horns parp Ronson-ly. But only Sixties cover "I'm Alive" soars." [3]
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