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Kifak Inta: How Are You Ziad Rahbani Ziad Rahbani Joseph Harb Relax-In "Kifak Inta" "Oghniyat Al Wadaa" "Mesh Ossa Hay" 1994 Sings Zaki Nassif: Zaki Nassif: Zaki Nassif Khalil Gibran: Voix de l'Orient "Ahwak" 1995 Houmoum Al Hob: Problems of Love Ziad Rahbani Assi & Mansour Rahbani Said Akl Relax-In "Houmoum Al Hob" Ila Assi (Dedicated) to Assi
Myriam Fares (Arabic: ميريام فارس, mīryam fāris; born 3 May 1983) is a Lebanese singer, performer, and songwriter known in the Arab world as "The Queen of Stage" with a music career spanning for over twenty years since 2003. [1]
Aman (Arabic: آمان) is the fifth studio album by Lebanese singer Myriam Fares. [1] It was released on January 5, 2015, by Myriam Music. The album combines elements of house and techno with traditional and Oriental music, with the title track "Aman" remaking an Andalusian song titled "Lamma Bada Yatathanna".
Ziad Rahbani [a] (Arabic: زياد الرحباني, born 1956) is a Lebanese composer, pianist, playwright, and political commentator.He is the son of Fairouz, one of Lebanon and the Arab world's most famous singers, and Assi Rahbani, one of the founders of modern Arabic music. [1]
This page is subject to the extended confirmed restriction related to the Arab-Israeli conflict. Kufiyyeh Yemeni man wearing a keffiyeh in turban-style and a Yemeni shawl on his shoulder The keffiyeh or kufiyyeh, also known in Arabic as a hattah (حَطَّة, ḥaṭṭa), is a traditional headdress worn by men from parts of the Middle East. It is fashioned from a square scarf, and is usually ...
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Pamela El Kik (Arabic: باميلا الكيك; born 14 May 1988 in Deir al-Qamar) is a Lebanese actress who grew up in Ashrafieh, Lebanon. She began her career at an early age. She won the Murex d'or three times; her most famous wins were for Alhob Almamnou’ in 2010, Duo Al Gharam in 2012 And Samra in 2016. [1]
K-P-R is a Semitic root, in Arabic and Hebrew rendered as K-F-R (Arabic: ك-ف-ر; Hebrew: כ-פ-ר).The basic meaning of the root is "to cover", but it is used in the sense "to conceal" and hence "to deny", and its notability derives from its use for religious heresy or apostasy (as it were describing the "concealment" of religious truth) in both Islam and Judaism.