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Totem poles, a type of Northwest Coast art. Northwest Coast art is the term commonly applied to a style of art created primarily by artists from Tlingit, Haida, Heiltsuk, Nuxalk, Tsimshian, Kwakwaka'wakw, Nuu-chah-nulth and other First Nations and Native American tribes of the Northwest Coast of North America, from pre-European-contact times up to the present.
Within traditional Coast Salish art there are two major forms; the flat design and carving, and basketry and weaving. In historical times these were delineated among male and female roles in the community with men made "figurative pieces, such as sculptures and paintings that depicts crest, shamanic beings, and spirits, whereas women produced ...
Coined by Bill Holm in his 1965 book Northwest Coast Indian Art: An Analysis of Form, [1] [2] the "formline is the primary design element on which Northwest Coast art depends, and by the turn of the 20th century, its use spread to the southern regions as well. It is the positive delineating force of the painting, relief and engraving.
Underground – Underground living, rock-cut architecture, monolithic church, pit-house; Modern low-energy systems – Straw-bale construction, earthbag construction, rice-hull bagwall construction, earthship, earth house; Various styles – Longhouse
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A Northwest Regional style house in the Matthews Beach neighborhood of Seattle. Northwest Regional style architecture is an architectural style popular in the Pacific Northwest between 1935 and 1960. [1] It is a regional variant of the International Style. [1] It is defined by the extensive use of unpainted wood in both interiors and exteriors. [1]
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A Northwest Coast longhouse at the Museum of Anthropology at the University of British Columbia Interior of a Salish Longhouse, British Columbia, 1864. Watercolour by Edward M. Richardson (1810–1874). The indigenous peoples of the Pacific Northwest of North America also built a form of longhouse. Theirs were built with logs or split-log frame ...