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Thun 1794 (official name Thun 1794 a.s.) was a German and Czech porcelain manufacturer using the porcelain mark "TK". Originally founded in 1793/1794 as Thun'sche Porcellanfabrik and, after many restructurings, finally closed in 2024 after 230 years, [1] [2] it was the oldest and largest Czech porcelain manufacturer.
New Hall porcelain; Plymouth Porcelain; Rockingham Pottery; Royal Crown Derby, (1750/57–present) Royal Doulton, (1815–2009 acquired by Fiskars) Royal Worcester, (1751–2008 acquired by Portmeirion Pottery) Spode, (1767–2008 acquired by Portmeirion Pottery) Saint James's Factory (or "Girl-in-a-Swing", 1750s) Swansea porcelain; Vauxhall ...
On 8 December 1909, doctor Yuliy Geller bought the unfinished building of the porcelain factory. On 21 July 1910, Benjamin Hunt and Karl Shpek got a concession for porcelain production from the beginning of 1912, and on 25 September 1911 the firm was registered under the name of Porzellan fabrik Rudolf Kämpf GmbH, Grünlas.
JIESIA porcelain; the main manufacturer in the post-soviet region and the only bone china company in the Baltic States 1941: Figgjo porcelain: Sandnes: Norway: Figgjo is a trend-setting porcelain manufacturer for the professional kitchen (see www.figgjo.com) 1955 JEMA KERAMISCH ATELIER N.V. Maastricht: Netherlands: Jema Holland ceramic studio. 1969
The site was chosen for the museum because in 1794, the third oldest and second then-still active porcelain factory in the Czech Republic, Thun porcelain factory (closed in 2024), [1] [2] was established here. The interior was restored in 1950–1952. The museum contains around 12,000 exhibits.
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Trademarks – Wallendorf porcelain. Originally, Wallendorf porcelain was manufactured using local raw materials. This was the main reason for unclean and toned porcelain. However, by 1780 Bohemian kaolin was being used, resulting in snow-white hard-paste porcelain. According to the expert Wilhelm Martius in 1793, "Wallendorf porcelain is now ...
A chipped beaker with this mark fetched £37,000 at auction in 2015. [13] Although the first three examples shown here are from the underside of the bases of pieces, where most porcelain factory marks are placed, the very small Chelsea anchor marks are often "tucked away in the most unexpected places". [14]
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