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The logo of Air New Zealand, the national carrier, incorporates a koru design — based on the Ngaru (Ngāti Kahungunu) [5] kōwhaiwhai pattern — as a symbol of New Zealand flora. The logo was introduced in 1973 to coincide with the arrival of the airline's first McDonnell Douglas DC-10 wide-body jet.
Many songs in Indian films are based on ragas of Indian classical music. This song list includes those that are primarily set to the given raga, without major deviation from the musical scale. This song list includes those that are primarily set to the given raga, without major deviation from the musical scale.
This page was last edited on 11 February 2014, at 23:01 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Director Zoya Akhtar insisted on Hrithik Roshan, Farhan Akhtar and Abhay Deol singing, as it was the only lip-sync song in the film. The actors agreed to it. [3] The trio sing with traditional Spanish flamenco artist María del Mar Fernández, who made her debut with the song. She was auditioned by Shankar–Ehsaan–Loy to croon the Spanish ...
"Nagada Sang Dhol" is a Garba song from the 2013 Hindi film, Goliyon Ki Raasleela Ram-Leela. Composed by Sanjay Leela Bhansali, the song is sung by Shreya Ghoshal and Osman Mir, [2] with lyrics penned by Siddharth-Garima. [3] The song features Deepika Padukone, Ranveer Singh and Supriya Pathak in the video. [4]
Film Song Composer(s) Writer(s) Co-singer(s) Ref. Hum Dil De Chuke Sanam "Kaipoche" Ismail Darbar: Mehboob Kotwal: Shankar Mahadevan, Jyotsna Hardikar, Damayanti Bardai [6]"Tadap Tadap"
Sophora tetraptera foliage Sophora tetraptera flowers, foliage and seed pods. Most species of kōwhai grow to around 8 m high and have fairly smooth bark with small leaves. S. microphylla has smaller leaves (0.5–0.7 cm long by 0.3–0.4 cm wide) and flowers (2.5–3.5 cm long) than S. tetraptera, which has leaves of 1–2 cm long and flowers that are 3–5 cm long.
Khamaj (IAST: Khamāj) is a Hindustani classical Music raga within the Khamaj thaat which is named after it.. Many ghazals and thumris are based on Khamaj. It utilises the shuddha (pure) form of Ni on the ascent, and the komala (flat) form of Ni on the descent, creating a key asymmetry in compositional and improvisational performance.