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A code poem may be interactive or static, digital or analog. Code poems can be performed by computers or humans through spoken word and written text. Examples of code poetry include: poems written in a programming language, but human readable as poetry; computer code expressed poetically, that is, playful with sound, terseness, or beauty.
Between Silk and Cyanide by Leo Marks, HarperCollins (1998), ISBN 0-00-255944-7.Marks was the Head of Codes at SOE and this book is an account of his struggle to introduce better encryption for use by field agents. it contains more than 20 previously unpublished code poems by Marks, as well as descriptions of how they were used and by whom.
freeCodeCamp (also referred to as Free Code Camp) is a non-profit educational organization [4] that consists of an interactive learning web platform, an online community forum, chat rooms, online publications and local organizations that intend to make learning software development accessible to anyone.
Pages for logged out editors learn more. Contributions; Talk; Free Code Camp
Choliambic verse (Ancient Greek: χωλίαμβος), also known as limping iambs or scazons or halting iambic, [1] is a form of meter in poetry. It is found in both Greek and Latin poetry in the classical period.
Poetic rhythm is the flow of words within each meter and stanza to produce a rhythmic effect while emphasising specific parts of the poem. Repetition– Repetition often uses word associations to express ideas and emotions indirectly, emphasizing a point, confirming an idea, or describing a notion.
Accentual-syllabic verse dominated literary poetry in English from Chaucer's day until the 19th century, when the freer approach to meter championed by poets such as Samuel Taylor Coleridge and Ralph Waldo Emerson and the radically experimental verse of Gerard Manley Hopkins and Walt Whitman began to challenge its dominance. [1]
Versus Galliambicus (), or the Galliambic Verse (English), is a verse built from two anacreontic cola, the second one catalectic (i.e., lacking its final syllable). [1] The metre typically has resolution in the last metron, and often elsewhere, leading to a run of short syllables at the end.