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Distinctly foreign objects and art forms entered Egypt during this period, indicating contacts with several parts of Western Asia.The designs that were emulated by Egyptian artists are numerous: the Uruk "priest-king" with his tunic and brimmed hat in the posture of the Master of animals, the serpopards, winged griffins, snakes around rosettes, boats with high prows, all characteristic of long ...
The Akkadian Empire (/ ə ˈ k eɪ d i ən /) [2] was an early ancient empire, succeeding the long-lived city-states of Sumer.Centered on the city of Akkad (/ ˈ æ k æ d /) [3] and its surrounding region, the empire united Akkadian and Sumerian speakers under one rule and exercised significant influence across Mesopotamia, the Levant, and Anatolia, sending military expeditions as far south ...
Akkadian cylinder seal from sometime around 2300 BC or thereabouts depicting the deities Inanna, Utu, Enki, and Isimud. Sumerians believed in an anthropomorphic polytheism, or the belief in many gods in human form. There was no common set of gods; each city-state had its own patrons, temples, and priest-kings.
A considerable amount of Akkadian, Assyrian and Babylonian literature was translated from Sumerian originals, and the language of religion and law long continued to be the old agglutinative language of Sumer, which was a language isolate. Vocabularies, grammars, and interlinear translations were compiled for the use of students, as well as ...
The Abzû or Apsû (Sumerian: 𒀊𒍪 abzû; Akkadian: 𒀊𒍪 apsû), also called E ngar (Cuneiform: 𒇉, LAGAB×HAL; Sumerian: engar; Akkadian: engurru – lit. ab = 'water' zû = 'deep', recorded in Greek as Ἀπασών Apasṓn [1]), is the name for fresh water from underground aquifers which was given a religious fertilising quality in ancient near eastern cosmology, including ...
Sumerian literature constitutes the earliest known corpus of recorded literature, including the religious writings and other traditional stories maintained by the Sumerian civilization and largely preserved by the later Akkadian and Babylonian empires.
The story follows the Sumerian king Gilgamesh, typically regarded as a historical figure, and his good friend, Enkidu through various adventures and quests that eventually lead to Enkidu's death. The second half of the epic deal with Gilgamesh, distressed about the death of his friend and his own impending mortality, as he searches for immortality.
Waddell's primary chronology was compiled from various Sumerian king lists, Egyptian list of pharaohs, the Bhagavata Purana, Mahabharata, Rigveda and numerous Indus Valley civilization seals and other monuments and relics and sources, some of which he had deciphered himself. [2]