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The original Cuban and the ballroom cha-cha-cha count is "one, two, three, cha-cha", or "one, two, three, four-and." [10] An incorrect "street version" comes about because many social dancers count "one, two, cha-cha-cha" and thus shift the timing of the dance by a full beat of music. Note that the dance known as Salsa is the result of a ...
Enrique Jorrín (December 25, 1926 – December 12, 1987) was a Cuban charanga violinist, composer and music director. He is considered the inventor of the cha-cha-chá , a popular style of ballroom music derived from danzón .
The novel cha-cha-chá style was born from melodies that were very easy to dance. [2]: 130–132 Since its inception, cha-cha-chá music has had a close relationship with the dancer's steps. The name cha-cha-chá came into being with the help of the dancers at the Silver Star Club in Havana. When the dance was coupled to the rhythm of the music ...
Cha Cha (sometimes wrongly called Cha Cha Cha based on a "street version" of the dance with shifted timing) was developed by Enrique Jorrín in the early 1950s, as a slower alternative to Mambo—and, in fact, was originally called Triple Mambo. The Cha Cha is a flirtatious dance with many hip rotations and partners synchronising their movements.
On June 30, 1953 a cover was recorded by singer Miguelito Valdés backed by pianist René Hernández's conjunto, and billed by Seeco as a ritmo de cha cha chá. [ 10 ] [ 11 ] The name "cha-cha-chá" actually came from the refrain of its original B-side, "Silver Star", which also became a hit. [ 3 ]
Monsieur Pierre was the professional name of Pierre Jean Philippe Zurcher-Margolle (born c. 1890, Toulon, France – died 1963, London). He was a professional dancer and dance teacher, largely responsible for introducing the Latin American dances to England, and for codifying them, and laying the groundwork for their use in competitions and in social dance.
Gill, who rose to fame in 2008 with his boyband JLS, has a wealth of dancing experience from starring in the band’s music videos and performing dance routines on tour.
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