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A drawing of twin mountains (Indonesian: pemandangan gunung kembar, "twin mountain view", or pemandangan gunung legendaris, "legendary mountain view") is a drawing pattern commonly made by Indonesian kindergarten and primary school students. The drawing is often produced by students who are asked by their teacher to draw natural features. [1]
Tambun rock art, is a series of Neolithic-era cave paintings at the Gunung Panjang limestone hill in Tambun, on the outskirts of Ipoh, Perak, Malaysia.The paintings were discovered on a rocky overhang in 1959 [1] by 2/Lt R. L. Rawlings of the 2nd Battalion, 6th Queen Elizabeth's Own Gurkha Rifles.
Traditional Balinese painting depicting cockfighting. Indonesian painting has a very long tradition and history in Indonesian art, though because of the climatic conditions very few early examples survive, Indonesia is home to some of the oldest paintings in the world.
Chuah Thean Teng was born in 1914 in Fujian, China; Chuah's father traded sundries while his mother made shoes for women with bound feet.The family emigrated to Penang, Malaysia when Chuah was 14; Chuah returned to Fujian to pursue an education at the Amoy Art School (later the Xiamen Academy of Fine Arts), but returned to Malaya (now Malaysia) at the age of 17. [1]
Spring Fresco, Minoan painting from Akrotiri, 1600–1500 BCE Zhan Ziqian, Strolling About in Spring, a very early Chinese landscape, c. 600. The earliest forms of art around the world depict little that could really be called landscape, although ground-lines and sometimes indications of mountains, trees or other natural features are included.
Shan shui painting first began to develop in the 5th century, [1] in the Liu Song dynasty. [2] It was later characterized by a group of landscape painters such as Zhang Zeduan, [3] most of them already famous, who produced large-scale landscape paintings. These landscape paintings usually centered on mountains.
Wisdom of the East, fresco mural in Jefferson Hall, East-West Center, Honolulu, by Affandi, 1967. Affandi (18 May 1907 – 23 May 1990) was an Indonesian artist. Born in Cirebon, West Java, as the son of R. Koesoema, who was a surveyor at a local sugar factory, Affandi finished his upper secondary school in Jakarta.
The most popular is Api-Api, or simply Api, which is a Malay word meaning 'Fire'. [6] Wendy Law Suart wrote in her book on North Borneo , The Lingering Eye , "there is in the Sabah State Museum a Dutch map of Borneo and the Celebes dated 1657 in which the settlement where Jesselton was to stand is clearly labelled Api Api.