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Chinoiserie entered European art and decoration in the mid-to-late 17th century; the work of Athanasius Kircher influenced the study of Orientalism.The popularity of chinoiserie peaked around the middle of the 18th century when it was associated with the Rococo style and with works by François Boucher, Thomas Chippendale, and Jean-Baptist Pillement.
The Willow pattern is a distinctive and elaborate chinoiserie pattern used on ceramic tableware. It became popular at the end of the 18th century in England when, in its standard form, it was developed by English ceramic artists combining and adapting motifs inspired by fashionable hand-painted blue-and-white wares imported from Qing dynasty China.
Hugh Honour. Hugh Honour FRSL (26 September 1927 – 19 May 2016) was a British art historian, known for his writing partnership with John Fleming.Their A World History of Art (a.k.a.
It featured Roman and Greek motifs. The later furniture featured decorative elements of Chinoiserie and other exotic styles. [1] Louis XV furniture was designed not for the vast palace state rooms of the Versailles of Louis XIV, but for the smaller, more intimate salons created by Louis XV and by his mistresses, Madame de Pompadour and Madame ...
Chinoiserie in fashion refers to the any use of chinoiserie elements in fashion, especially in American and European fashion. Since the 17th century, Chinese arts and aesthetic were sources of inspiration to European artists, creators, [1]: 52 and fashion designers when goods from oriental countries were widely seen for the first time in Western Europe.
"Hughes-type" tea caddy, chinoiserie decoration, c. 1760. Many pieces are in a pattern, itself derived from Chinese models, known as "Redgrave" (after a family with several workers at the factory), with paeonies and rocks. [13] This exists in several types, some with their own names such as "House pattern" and "Two-Bird pattern".
Coromandel lacquer, probably originally from a screen, worked up into a cabinet for medals in France in the 1720s. Coromandel lacquer is a type of Chinese lacquerware, latterly mainly made for export, so called only in the West because it was shipped to European markets via the Coromandel coast of south-east India, where the Dutch East Indies Company (VOC) and its rivals from a number of ...
Cultures of Porcelain in World History. University of California Press ISBN 978-0-520-24468-9; Ford, Barbara Brennan, and Oliver R. Impey, Japanese Art from the Gerry Collection in The Metropolitan Museum of Art, 1989, Metropolitan Museum of Art, fully online; Kessler, Adam Theodore (2012). Song Blue and White Porcelain on the Silk Road. Brill.
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