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Acrylic, gold paint and oil stick on canvas with wooden supports 60 x 60 in $6.6 million (2017) [38] Private collection 1982 Portrait of A-One A.K.A. King: Acrylic, oilstick and marker on canvas with wood supports 72 x 72 3/8 in $11.5 million (2020) [39] Private collection 1982 Crown Hotel (Mona Lisa Black Background)
New York, Museum of Modern Art: Image online [73] The Poet Reclining: 1915: London, Tate Modern: Image online [74] Strawberries. Bella and Ida at the Table: 1915: Private collection Image online [75] Bella in Black Gloves: 1915: Image online [76] Pink Lovers: 1916: Image online [77] The Feast of the Tabernacles: 1916: Lucerne, Switzerland ...
The Black Paintings (Spanish: Pinturas negras) is the name given to a group of 14 paintings by Francisco Goya from the later years of his life, probably between 1820 and 1823. They portray intense, haunting themes, reflective of both his fear of insanity and his bleak outlook on humanity.
A velvet painting is a type of painting distinguished by the use of velvet (usually black velvet) as the support, in place of canvas, paper, or similar materials. The velvet provides an especially dark background against which colors stand out.
Paul Bilhaud, Combat de nègres pendant la nuit, 1882 Monochrome painting was initiated at the first Incoherents exhibition in Paris in 1882, with a black painting by the poet Paul Bilhaud entitled Combat de Nègres pendant la nuit ("Battle of negroes during the night"), which had been missing since 1882 when it was rediscovered in a private collection in 2017–2018. [2]
Nocturne in Black and Gold – The Falling Rocket, by James McNeill Whistler Whistler's Mother , by James McNeill Whistler Portrait of a Young Girl , by Petrus Christus
Heracles and Geryon on an Attic black-figured amphora with a thick layer of transparent gloss, c. 540 BC, now in the Munich State Collection of Antiquities.. Black-figure pottery painting (also known as black-figure style or black-figure ceramic; Ancient Greek: μελανόμορφα, romanized: melanómorpha) is one of the styles of painting on antique Greek vases.
Stella used commercial enamel paint and a house-painter's brush, he painted black stripes of the same width and evenly spaced on bare canvas, leaving the thin strips of canvas between them unpainted and exposed, along with his pencil-and-ruler drawn guideline. [2] These works are considered to have been Stella's breakthrough works.