Search results
Results from the WOW.Com Content Network
As a poet ,with the pen-name "Zamin", he belonged to the Lucknow school of poetry and is a leading exemplar of Urdu poetry of his times. His poetic works include Ghazaliyat-e-Zamin, Kalaam-e-Zamin, and Majmua-e-Qasaid-o-Salaam. Ghazaliyat-e-Zamin was re-published by Rekhta Publishers and released by Javed Akhtar at the Jash-e-Rekhta festival in ...
The poet Mir Taqi Mir is often lauded as ushering in a "Golden Age" of Urdu ghazal poetry in the early 18th century by mastering the blend of Persian influences with the common and idiomatic Urdu. [18] Another classical poet, Mirza Muhammad Rafi Sauda is notable for his poetry being socially aware, and sometimes even satirical. [19]
Mirza Ghalib is considered one of the leading literary authority on Urdu poetry. [3] He lived in Delhi [4] and died in 1869. The literal meaning of shayar (shaa'ir) is poet. [5] There are more than 30 types of Urdu poetry, also known as shayari. Examples of shayari are ghazal, sher, nazm, marsiya, qita and many more. [6]
Wali Muhammad Wali (1667–1707), also known as Wali Dakhani, Wali Gujarati, and Wali Aurangabadi, was a classical Urdu poet from India.. He is considered by many scholars to be the father of Urdu poetry, [1] being the first established poet to have composed ghazals in the Urdu language and compiled a divan (a collection of ghazals where the entire alphabet is used at least once as the last ...
Dasht-e-Tanhai (Urdu: دشت تنہائی) is a popular Urdu Nazm with the title "Yaad". [1] It was written by Faiz Ahmed Faiz. [1] Originally composed by Mehdi Zaheer for Iqbal Bano, a premier Pakistani ghazal and semi-classical singer, it was later sung by Tina Sani and Meesha Shafi (Coke Studio).
Masroor Anwar (6 January 1944 – 1 April 1996) was a ghazal poet, film song lyricist and a film screenwriter. He wrote the lyrics for 'Ko Ko Korina', South Asia's first pop song, and working alongside Sohail Rana, film director Pervez Malik and film producer and actor Waheed Murad in the 1960s, was part of the country's golden age of cinema helping establish Karachi as a major hub for film ...
The recurring theme of elusive love is often explored in ghazals such as "Wo tou khushbu hai" (He is fragrance), where the poet describes the essence of love as fleeting and intangible, like a scent. For example, in "Khushbu bhi us k tarz-e-pazeerai per gai" (Fragrance also goes by his style of welcome), the poet suggests that even fragrance is ...
According to Mir, Syed Sadaat Ali, a Sayyid of Amroha convinced him to pursue poetry in Urdu: [16] [17] "A Sayyid from Amroha took the trouble to put me on to writing poetry in the Urdu medium, the verse which resembled Persian poetry. Urdu was the language of Hindustan by the authority of the king and presently it was gaining currency.