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Keep Your Hands Off Eizouken! (Japanese: 映像研には手を出すな！, Hepburn: Eizōken ni wa Te o Dasu na!) [a] is a Japanese manga series written and illustrated by Sumito Ōwara. It has been serialized in Shogakukan's seinen manga magazine Monthly Big Comic Spirits since 2016 and has been collected in nine tankōbon volumes as of ...
The raised fist logo generally carries the same symbolism as a hand gesture. It was an important symbol of workers rights and labor movements, as well as specific labor actions, such as strikes, boycotts, and walk-outs.
A caricature is a rendered image showing the features of its subject in a simplified or exaggerated way through sketching, pencil strokes, or other artistic drawings (compare to: cartoon). Caricatures can be either insulting or complimentary, and can serve a political purpose, be drawn solely for entertainment, or for a combination of both.
"Cow tools" is a single-panel black and white cartoon depicting a cow standing on its hind legs at a table, with a barn in the background. On the table are four oddly shaped objects: one resembles a crude hand saw, while the others are more abstract. The caption beneath the cartoon simply reads "Cow tools".
The image was first created by cartoonist A. Wyatt Mann (a wordplay on "A white man"), a pseudonym of Nick Bougas. [1] [2] [3] The image was part of a cartoon that also included a racist caricature of a black man and used these images to say: "Let's face it! A world without Jews and Blacks would be like a world without rats and cockroaches."
Born in Brooklyn, New York, Ward grew up in Ridgewood, New Jersey, where his father was an executive with the United Fruit Company. [1]At age 17, Ward, already an art hobbyist, began his professional career by illustrating "beer jackets", a type of white denim jacket with text or design printed or drawn on the back; Ward charged one dollar a jacket, and by his own count drew hundreds during ...
Following this, Callahan became a cartoonist, drawing by clutching a pen between both hands, having regained partial use of his upper body. His visual artistic style was simple and often rough, although still legible. Callahan's cartoons dealt with subjects often considered taboo, including disabilities and disease
Keane was born in Crescentville, a neighborhood in Philadelphia, and attended parochial school at St. William Parish and Northeast Catholic High School. [3] [4] While a schoolboy, he taught himself to draw by mimicking the style of the cartoons published in The New Yorker. [5]