Search results
Results from the WOW.Com Content Network
"Frankenstein" is an instrumental track by the American rock band Edgar Winter Group that was featured in the 1972 album They Only Come Out at Night and additionally released as a single. The song topped the US Billboard Hot 100 chart for one week in May 1973, being replaced by Paul McCartney & Wings 's " My Love ".
"Free Ride" is a song written by Dan Hartman and performed by the Edgar Winter Group from their 1972 album They Only Come Out at Night, produced by Rick Derringer. The single was a top 15 U.S. hit in 1973, reaching number 14 on the Billboard Hot 100 [2] and number 10 on Cash Box. In Canada, it peaked at number 8. [3]
Morris continued to work with Brooks on twenty of his films, including Blazing Saddles (for which he received a co-writing credit Oscar nomination with Brooks for the film's theme song), Young Frankenstein (for which he scored its famous "Transylvanian Lullaby"), and The Elephant Man (for which he was nominated for a Grammy and an Oscar for its ...
Young Frankenstein (promoted as The New Mel Brooks Musical: Young Frankenstein) is a musical with a book by Mel Brooks and Thomas Meehan, and music and lyrics by Brooks.It is based on the 1974 comedy film of the same name written by Gene Wilder and Brooks who also directed and has described it as his best film. [1]
The song is played during a hotel dinner scene in AMC's Halt and Catch Fire, season 1, episode 7 ("Giant"). It was the theme of the late 1970s BBC pro-celebrity golf series "Around With Alliss" (fronted by professional golfer Peter Alliss). A version of the song is played over the closing credits of the 1998 Danish movie Festen (The Celebration ...
It isn’t alive, unfortunately. “Lisa Frankenstein” is facing a quiet opening at the domestic box office after earning $1.7 million from 3,144 locations on its opening day, including $700,000 ...
Frankenstein – A New Musical is a stage musical adaptation of Mary Shelley's 1818 novel Frankenstein; or, The Modern Prometheus, with music by Mark Baron and book and lyrics by Jeffrey Jackson, based on a story adaptation by Gary P. Cohen.
The staff at Variety magazine liked the film's direction, music and photography, despite "a rambling, not-too-credible plot." They wrote, "Performances are in keeping with the bare-knuckle direction by Joseph Lewis and, on that score, are good.