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In the Judeo-Christian tradition, medieval artists depicted the mutual killing of both Eleazar the Maccabee and a war elephant carrying an important Seleucid general as described in the apocryphal book of 1 Maccabees. The early illustrators knew little of the elephant and their portrayals are highly inaccurate. [12]
Gajasura, an elephant demon from Hindu mythology; Gajendra, from the Sanskrit text Gajendra Moksha; Girimekhala, the elephant that carries Mara in Theravada Buddhism; Kasogonagá, a Toba deity described as either an elephant or an anteater. Supratika, a name for several elephants in Hindu mythology; Behemoth, a demon depicted as a round-bellied ...
The elephant became the symbol of Bangkok by association with Indra during its foundation as the capital of the new Rattanakosin Kingdom. [10] It is also sometimes associated with the old Lao Kingdom of Lan Xang and the defunct Kingdom of Laos, where it was more commonly known as the "three-headed elephant" and had been used on the royal flag. [11]
Ganesha is easily recognized from his elephant head. Devotion to Ganesha is widely diffused and extends to Jains and Buddhists and beyond India. India and Hinduism have influenced many countries in other parts South Asia , East Asia and Southeast Asia as a result of commercial and cultural contacts.
Brewer's Dictionary of Phrase and Fable lists Maha-pudma and Chukwa are names from a "popular rendition of a Hindu myth in which the tortoise Chukwa supports the elephant Maha-pudma, which in turn supports the world". [14] The spelling Mahapudma originates as a misprint of Mahapadma in Sri Aurobindo's 1921 retelling of a story of the Mahabharata.
In the context of the history of Ancient India, the earliest depiction of gaja is found on the seals discovered at sites (like Harappa and Mohenjo Daro) of the Indus Valley civilisation (3000 BCE – 1700 BCE). Some scholars believe that by that time elephants had been tamed and domesticated, and used for peaceful and possibly for other purposes.
The Epic-Puranic chronology is a timeline of Hindu mythology based on the Itihasa (the Sanskrit Epics, that is, the Mahabharata and the Ramayana) and the Puranas.These texts have an authoritative status in Indian tradition, and narrate cosmogeny, royal chronologies, myths and legendary events.
After the recognition of the Church by Constantine I in 313, the Book of Revelation is the source from which are derived most of the decorative themes of Christian Art. The lamb is now the most important of these, and its meaning is either the same as before or, more frequently perhaps, it is symbolic of Christ the expiatory victim.