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The elephant is the state animal of Kerala and is featured on the emblem of the Government of Kerala, and previously on the coat of arms of Travancore. The elephant is also on the flag of the Kingdom of Laos with three elephants visible, supporting an umbrella (another symbol of royal power) until it became a republic in 1975. Other Southeast ...
Gajasura, an elephant demon from Hindu mythology; Gajendra, from the Sanskrit text Gajendra Moksha; Girimekhala, the elephant that carries Mara in Theravada Buddhism; Kasogonagá, a Toba deity described as either an elephant or an anteater. Supratika, a name for several elephants in Hindu mythology; Behemoth, a demon depicted as a round-bellied ...
The elephant became the symbol of Bangkok by association with Indra during its foundation as the capital of the new Rattanakosin Kingdom. [10] It is also sometimes associated with the old Lao Kingdom of Lan Xang and the defunct Kingdom of Laos, where it was more commonly known as the "three-headed elephant" and had been used on the royal flag. [11]
Brewer's Dictionary of Phrase and Fable lists Maha-pudma and Chukwa are names from a "popular rendition of a Hindu myth in which the tortoise Chukwa supports the elephant Maha-pudma, which in turn supports the world". [14] The spelling Mahapudma originates as a misprint of Mahapadma in Sri Aurobindo's 1921 retelling of a story of the Mahabharata.
Ganesha is easily recognized from his elephant head. Devotion to Ganesha is widely diffused and extends to Jains and Buddhists and beyond India. India and Hinduism have influenced many countries in other parts South Asia , East Asia and Southeast Asia as a result of commercial and cultural contacts.
In the context of the history of Ancient India, the earliest depiction of gaja is found on the seals discovered at sites (like Harappa and Mohenjo Daro) of the Indus Valley civilisation (3000 BCE – 1700 BCE). Some scholars believe that by that time elephants had been tamed and domesticated, and used for peaceful and possibly for other purposes.
After the recognition of the Church by Constantine I in 313, the Book of Revelation is the source from which are derived most of the decorative themes of Christian Art. The lamb is now the most important of these, and its meaning is either the same as before or, more frequently perhaps, it is symbolic of Christ the expiatory victim.
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