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She writes in white ink". [21]) when characterizing the essence of écriture féminine and explaining its origin. This notion raises problems for some theorists: "Ecriture féminine, then, is by its nature transgressive, rule-transcending, intoxicated, but it is clear that the notion as put forward by Cixous raises many problems. The realm of ...
"The Laugh of the Medusa" is an exhortation and call for a "feminine mode" of writing which Cixous calls "white ink" and écriture féminine. Cixous builds the text using the elements of this mode and fills it with literary allusions. She instructs women to use writing as a means of authority.
White Ink: Interviews on Sex, Text and Politics. Translated by Sellers, Susan. Hoboken: Taylor and Francis. 2014. ISBN 978-1-317-49274-0. OCLC 898104202. Death shall be dethroned: Los, a chapter, the journal. Cambridge: Polity Press. 2016. ISBN 978-1-509-50065-9. OCLC 944312591. Well-Kept Ruins. Translation by Beverley Bie Brahic, Seagull Books ...
The academic discipline of women's writing is a discrete area of literary studies which is based on the notion that the experience of women, historically, has been shaped by their sex, and so women writers by definition are a group worthy of separate study: "Their texts emerge from and intervene in conditions usually very different from those which produced most writing by men."
A wash of diluted ink or watercolor paint applied in combination with drawing is called pen and wash, wash drawing, or ink and wash. [ citation needed ] Normally only one or two colours of wash are used; if more colours are used the result is likely to be classified as a full watercolor painting .
Écriture féminine literally means women's writing. It is a philosophy that promotes women's experiences and feelings to the point that it strengthens the work. It is a strain of feminist literary theory that originated in France in the 1970s. Cixous first uses this term in her essay, The Laugh of the Medusa in which she asserts:
Antinaturalism; Choice feminism; Cognitive labor; Complementarianism; Literature. Children's literature; Diversity (politics) Diversity, equity, and inclusion
Even when those universal aesthetes did address gender, they categorized aesthetics into two categories: beauty and sublimity; with beauty being small and delicate (feminine) and sublimity being large and awe-inspiring (masculine). [2]