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The phrase is used many times in the Bible to describe God's powerful deeds during the Exodus: Exodus 6:6, Deuteronomy 4:34 5:15 7:19 9:29 11:2 26:8, Psalms 136:12. The phrase is also used to describe other past or future mighty deeds of God, in the following sources: II Kings 17:36, Jeremiah 21:5 27:5 32:17, Ezekiel 20:33 20:34, II Chronicles 6:32.
Héliodore Pisan after Gustave Doré, "The Crucifixion", wood-engraving from La Grande Bible de Tours (1866). It depicts the situation described in Luke 23.. The illustrations for La Grande Bible de Tours are a series of 241 wood-engravings, designed by the French artist, printmaker, and illustrator Gustave Doré (1832–1883) for a new deluxe edition of the 1843 French translation of the ...
Psalm 108: Plea for help through God’s right hand (v1). Psalm 109: Depicts an adversary at the foe's right hand (v6) and God as the protector at the right hand of the needy (v31). Psalm 110: Invites a figure like Melchizedek to sit at God's right hand, with God aiding in battle at the man's right hand (v1, v5).
The colourful expression "mummishe massyng" appears in the fifteenth sermon of the second book (Of the worthy receaving of the Sacrament), not to characterize the Mass itself, but (on the contrary) to describe those who come to the Lord's Supper "unreverentlye, not discerning the Lordes bodye" (like the Corinthians blamed by St Paul, I ...
The hand of God, which encompasses God's arm and fingers as well, is one of the most frequently employed anthropomorphisms of the Hebrew Bible. References to the hand of God occur numerous times in the Pentateuch alone, particularly in regards to the unfolding narrative of the Israelites' exodus from Egypt (cf. Exodus 3:19–20, Exodus 14: 3, 8 ...
The right side of the page was sketched in 1508 with black chalk, and is a study of Adam's limp hand, before it is ignited with the gift of life from God, in the Creation of Adam scene. Michelangelo sketched this over a previous brown, lead point stylus study of the vaulted Sistine Chapel ceiling. [ 28 ]
The Sermon of Saint Stephen is an oil-on-canvas painting by Italian artist Vittore Carpaccio, done in 1514. The painting is from the Venetian Renaissance and depicts the first Christian martyr, St. Stephen, giving a sermon. The painting involves its audience as active witnesses to St. Stephen's actions and influence.
The title comes from the Latin phrase Sci vias Domini ('Know the Ways of the Lord'). [1] The book is illustrated by 35 miniature illustrations, more than that are included in her two later books of visions. [1] The work is divided into three parts, reflecting the Trinity. [2]
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