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Charlie Christian. Charles Henry Christian (July 29, 1916 – March 2, 1942) was an American swing and jazz guitarist. He was among the first electric guitarists and was a key figure in the development of bebop and cool jazz. He gained national exposure as a member of the Benny Goodman Sextet and Orchestra from August 1939 to June 1941.
Nashville Number System. The Nashville Number System is a method of transcribing music by denoting the scale degree on which a chord is built. It was developed by Neal Matthews Jr. in the late 1950s as a simplified system for the Jordanaires to use in the studio and further developed by Charlie McCoy. [1] It resembles the Roman numeral [2] and ...
A '50s progression in C. The '50s progression (also known as the "Heart and Soul" chords, the "Stand by Me" changes, [1][2] the doo-wop progression[3]: 204 and the " ice cream changes " [4]) is a chord progression and turnaround used in Western popular music. The progression, represented in Roman numeral analysis, is I–vi–IV–V.
I–V–vi–IV chord progression in C Play ⓘ. vi–IV–I–V chord progression in C Play ⓘ. The I–V–vi–IV progression is a common chord progression popular across several genres of music. It uses the I, V, vi, and IV chords of a musical scale. For example, in the key of C major, this progression would be C–G–Am–F. [1 ...
Slack-key guitar. Hawaiian slack-key guitarist Cyril Pahinui in Waikiki, 2012. Slack-key guitar (from Hawaiian kī hōʻalu, which means "loosen the [tuning] key") is a fingerstyle genre of guitar music that originated in Hawaii. This style of guitar playing involves altering the standard tuning on a guitar from E-A-D-G-B-E, which has been used ...
List of set classes. Ninth chord. Open chord. Passing chord. Primary triad. Quartal chord. Root (chord) Seventh chord. Synthetic chord.
Guitar chord. Ry Cooder plays slide guitar using an open tuning that allows major chords to be played by barring the strings anywhere along their length. In music, a guitar chord is a set of notes played on a guitar. A chord's notes are often played simultaneously, but they can be played sequentially in an arpeggio.
These indicate a chord formed by the notes C–E–G ♯ –B ♭. The three parts of the symbol (C, aug, and 7) refer to the root C, the augmented (fifth) interval from C to G ♯, and the (minor) seventh interval from C to B ♭. Although they are used occasionally in classical music, typically in an educational setting for harmonic analysis ...
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