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The Pala delle Convertite or The Trinity with Saints Mary Magdalen and John the Baptist, (the museum's name) or Holy Trinity, is an altarpiece by the Italian Renaissance painter Sandro Botticelli and his workshop, traditionally dated to c. 1491–1493.
The Trinity Altarpiece. The Trinity Altarpiece, also known as the Trinity Altar Panels, is a set of four paintings in oil on wood thought to have been commissioned for the Trinity College Kirk in Edinburgh, Scotland, in the late fifteenth century. [1] The panels are now part of the British Royal Collection and are loaned to the Scottish ...
The crowded altarpiece depicts the Trinity, with God the Father holding a crucifix with a still-alive Jesus. Above them, in a cloud of light surrounded by cherubim, is the Holy Spirit in the form of a dove. God the Father wears an imperial crown and a wide gilt cloak, lined in green and supported by angels.
Resurrection of Christ, panel from an altarpiece set, 1450–90, with remains of the paint Fifteenth-century altarpiece set, with contemporary frame and well-preserved paint Nottingham alabaster is a term used to refer to the English sculpture industry, mostly of relatively small religious carvings, which flourished from the fourteenth century ...
The retable was returned to St Mary's Church, Thornham Parva, in 2003, following eight years of restoration by the Hamilton Kerr Institute in Cambridge. [3] Using sturgeon glue, applied with tiny dabs of cotton buds, inch by inch the layers of grime were removed to reveal some of the original gold and a glowing autumnal palette of translucent reds, purples and greens which the original artist ...
The Pistoia Santa Trinità Altarpiece is a 1455-1460 egg tempera, tempera grassa and oil on wood painting, begun by Pesellino and completed by Fra Filippo Lippi and his workshop. [1] The main panel of the work is today in the National Gallery in London.
Vigoroso da Siena's altarpiece from 1291 (pictured) is an example. This treatment of the altarpiece would eventually pave the way for the emergence, in the 14th century, of the polyptych. [6] The sculpted elements in the emerging polyptychs often took inspiration from contemporary Gothic architecture. In Italy, they were still typically ...
The walled background is representative of the walls of Jerusalem. Four panels in the side compartments depict eight scenes of the saint's life and passion. These scenes were later described in the 1486 medieval Catalan manuscript, Jardinet d'Orats. [2] Upper left panel: Saint Barbara is baptized and the representation of the Holy Trinity
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