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2. This outline of a cross reminiscent of stained glass encompassed by rose thorns by kaizbeetattoos is such beautiful symbolism for what happened on the cross—both physically and metaphorically.
Nestorian cross: In Eastern Christian art found on tombs in China, these crosses are sometimes simplified and depicted as resting on a lotus flower or on a stylized cloud. Occitan cross: Based on the counts of Toulouse's traditional coat of arms, it soon became the symbol of Occitania as a whole. "Carolingian cross"
The word cross is recorded in 11th-century Old English as cros, exclusively for the instrument of Christ's crucifixion, replacing the native Old English word rood.The word's history is complicated; it appears to have entered English from Old Irish, possibly via Old Norse, ultimately from the Latin crux (or its accusative crucem and its genitive crucis), "stake, cross".
The Christian cross, seen as representing the crucifixion of Jesus, is a symbol of Christianity. [1] It is related to the crucifix, a cross that includes a corpus (a representation of Jesus' body, usually three-dimensional) and to the more general family of cross symbols.
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The Three Crosses is a 1653 print in etching and drypoint by the Dutch artist Rembrandt van Rijn, which depicts the crucifixion of Jesus Christ. Most of his prints are mainly in etching and this one is a drypoint with burin adjustments from the third state onwards. [1] It is considered "one of the most dynamic prints ever made". [2]
Flags with crosses are recorded from the later Middle Ages, e.g. in the early 14th century the insignia cruxata comunis of the city of Genoa, the red-on-white cross that would later become known as St George's Cross, and the white-on-red cross of the Reichssturmfahne used as the war flag of the Holy Roman Emperor possibly from the early 13th ...
As the Stations of the Cross are prayed during the season of Lent in Catholic churches, each station is traditionally followed by a verse of the Stabat Mater, composed in the 13th century by Franciscan Jacopone da Todi. James Matthew Wilson's poetic sequence, The Stations of the Cross, is written in the same meter as da Todi's poem. [37]