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Dayar e Shauq Mera (Hindi: दयार-ए-शौक़ मेरा, Urdu: دیار شوق میرا) or Diyar e Shauq Mera is the Tarana of the central university Jamia Millia Islamia. [ 1 ] [ 2 ] The lyrics were written by Mohammed Khaliq Siddiqui in 1964.
This is a list of songs about Pakistan (known as Milli naghmay, Urdu: ملی نغمے) listed in alphabetical order. The list includes songs by current and former solo-singers and musical bands. It also includes some film songs originally recorded for Pakistani films.
"Going Up the Country" (also "Goin' Up the Country") is a song adapted and recorded by American blues rock band Canned Heat. Called a "rural hippie anthem", [3] it became one of the band's biggest hits and best-known songs. [4] As with their previous single, "On the Road Again", the song was adapted from a 1920s blues song and sung by Alan Wilson.
Allah Hoo (Allāhu) is a traditional Sufi chant consisting of the word for God (Arabic: الله, Allāh) run together three times, followed by Truth (): Allāhu Allāhu Allāhu Haqq, itself repeated three times over.
'difficulty/trouble', IPA: [pə˨.suː.ɽiː]) [1] [note 1] is a Punjabi and Urdu-language single by Pakistani singers Ali Sethi and debutant Shae Gill. [4] It was released on 6 February 2022 as the sixth song of season 14 (episode two) of Coke Studio Pakistan and was subsequently released on YouTube on 7 February 2022.
Chupke Chupke Raat Din (Urdu: چپکے چپکے رات دن) (transl. Quietly Quietly Night & Day) is a popular ghazal written by Maulana Hasrat Mohani. [1] The music composition is based on Raga Kafi [citation needed]. It is a classical Urdu poem that represents the culture of the Mughal Dynasty. The poem became famous after it was sung by ...
Going Up is a musical comedy in three acts with music by Louis Hirsch and book and lyrics by Otto Harbach and James Montgomery. [1] Set in the US city of Lenox, Massachusetts, at the end of World War I, the musical tells the story of a writer turned aviator who wins the hand of the high society girl that he loves by his daring handling of the joystick of a biplane.
The Urdu ghazal makes use of a store of common characters, settings, images, and metaphors that inform both readers and poets of how to navigate the aforementioned ghazal universe. [33] These tropes have been cultivated for hundreds of years and are meant to deeply resonate with listeners of the ghazal, invoking their expectations of meaning. [33]