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Natural horror is a subgenre of horror films that features natural forces, [1] typically in the form of animals or plants, that pose a threat to human characters.. Though killer animals in film have existed since the release of The Lost World in 1925, [2] two of the first motion pictures to garner mainstream success with a "nature run amok" premise were The Birds, directed by Alfred Hitchcock ...
The Other Hell (1981). The horror genre encompasses a wide array of categories, and few are as proudly perverse as the one called nunsploitation. Blending Christian iconography with fetishized ...
Jeff Kravitz/FilmMagic for HBO Sydney Sweeney had two adorable family members as costars in her upcoming horror film, Immaculate. “I flew my grandmas out,” Sweeney revealed during the Tuesday ...
The Nun is a 2018 American gothic supernatural horror film directed by Corin Hardy and written by Gary Dauberman, from a story by Dauberman and James Wan. It serves as a spiritual spin-off to The Conjuring 2 and is the fifth installment in The Conjuring shared universe .
The Convent is a 2000 horror film directed by Mike Mendez, starring horror veteran Adrienne Barbeau. It is about a group of college students who go into an abandoned convent, only to discover that it is inhabited by demons intent on possessing them. It premiered in January 2000 at the Sundance Film Festival. Due to the original distributor ...
Dark Nuns (Korean: 검은 수녀들; also known as The Priest 2: Dark Nuns [4]) is a 2025 South Korean supernatural thriller film directed by Kwon Hyeok-jae, and starring Song Hye-kyo, Jeon Yeo-been, Lee Jin-wook, and Moon Woo-jin.
Mother Joan of the Angels (Polish: Matka Joanna od Aniołów, also known as The Devil and the Nun) is a 1961 Polish religious horror art film on demonic possession, directed by Jerzy Kawalerowicz, based on a novella of the same title by Jarosław Iwaszkiewicz, loosely based on the 17th century Loudun possessions. [1]
[13] Scott Weinberg of Thrillist ranked the film #32 of the 40 best horror films of 2021 and wrote, "The film starts out as a somewhat traditional "possessed nun" story, but about halfway through it makes a sharp left turn and becomes a compelling character study about how an innocent young woman must contend with a trauma she can't explain."
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