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Feather headdress Moctezuma II; Museo Nacional de Antropología e Historia, México. Mexican featherwork, also called "plumería", was an important artistic and decorative technique in the pre-Hispanic and colonial periods in what is now Mexico.
Feathering is a technique used in computer graphics software to smooth or blur the edges of a feature. The term is inherited from a technique of fine retouching using fine feathers . Paintbrush feathering
Featherwork is the working of feathers into a work of art or cultural artifact. This was especially elaborate among the peoples of Oceania and the Americas , such as the Incas and Aztecs . Feathered cloaks and headdresses include the ʻahuʻula capes and mahiole helmets were worn by Hawaiian royalty ; many are now on display at the Bishop ...
Hawaiian feather helmets, known as mahiole in the Hawaiian language, [2] were worn with feather cloaks (ʻahu ʻula). These were symbols of the highest rank reserved for the men of the aliʻi , [ 3 ] the chiefly class of Hawaii.
They use urucú, a red dye made from Bixa orellana for body painting. Personal adornment is made from feathers, such as those of the toucan, and cotton. Labrets are made from resin. Men typically weave baskets, while women make ceramics. [4] They are also being consulted in interpreting ancient rock art in Amambay. [2]
A popular technique of colour modification developed, known as tapirage. This involved plucking the green feathers of parrots, rubbing toad's blood on the bird's raw, open pores, and then waiting for new feathers to grow through, which would appear yellow-gold, associating the piece with the divine power of the sun. [6]
Bird-and-flower painting by Cai Han and Jin Xiaozhu, c. 17th century.. The huaniaohua is proper of 10th century China; and the most representative artists of this period are Huang Quan (哳㥳) (c. 900 – 965), who was an imperial painter for many years, and Xu Xi (徐熙) (937–975), who came from a prominent family but had never entered into officialdom.
This technique lends itself to floral designs popularized among northeastern tribes by Ursuline nuns. Huron women excelled at floral quillwork during the 18th and 19th centuries. [18] Plains quillwork is characterized by bands of rectangles creating geometrical patterns found also in Plains painting. [19]