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  2. Mixolydian mode - Wikipedia

    en.wikipedia.org/wiki/Mixolydian_mode

    The flattened seventh of the scale is a tritone away from the mediant (major-third degree) of the key. The order of whole tones and semitones in a Mixolydian scale is whole, whole, half, whole, whole, half, whole. In the Mixolydian mode, the tonic, subdominant, and subtonic triads are all major, the mediant is diminished, and the remaining ...

  3. Aeolian dominant scale - Wikipedia

    en.wikipedia.org/wiki/Aeolian_dominant_scale

    The Aeolian dominant scale (Aeolian ♯ 3 scale), Mixolydian ♭ 6 scale, descending melodic major scale, or Hindu scale [1] [2] is the fifth mode of the ascending melodic minor scale. It is named Aeolian dominant because its sound derives from having a dominant seventh chord on the tonic in the context of what is otherwise the Aeolian mode .

  4. Mode (music) - Wikipedia

    en.wikipedia.org/wiki/Mode_(music)

    While the term "mode" is still most commonly understood to refer to Ionian, Dorian, Phrygian, Lydian, Mixolydian, Aeolian, or Locrian modes in the diatonic scale; in modern music theory the word "mode" is also often used differently, to mean scales other than the diatonic.

  5. Acoustic scale - Wikipedia

    en.wikipedia.org/wiki/Acoustic_scale

    In music, the acoustic scale, overtone scale, [1] Lydian dominant scale (Lydian ♭ 7 scale), [2] [3] or the Mixolydian ♯ 4 scale is a seven-note synthetic scale. It is the fourth mode of the ascending melodic minor scale .

  6. List of musical scales and modes - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_scales_and...

    List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. Play ⓘ — — — 15 — — — 16 equal temperament: 16-tet scale on C. Play ⓘ — — — 16 — — — 17 equal ...

  7. Phrygian dominant scale - Wikipedia

    en.wikipedia.org/wiki/Phrygian_dominant_scale

    The augmented second between its second and third scale degrees gives it an "Arabic" or Middle Eastern feeling to Western listeners. In the Berklee method, it is known as the Mixolydian ♭ 9 ♭ 13 chord scale, a Mixolydian scale with a lowered 9th (2nd) and lowered 13th (6th), used in secondary dominant chord scales for V 7 /III and V 7 /VI.

  8. For Emily, Whenever I May Find Her - Wikipedia

    en.wikipedia.org/wiki/For_Emily,_Whenever_I_May...

    The melody consists of five brief phrases, with the first three being descending series of thirds. "For Emily, Whenever I May Find Her" draws on the Mixolydian scale, which is identical to the major scale but with its seventh step lowered. [8]

  9. Hammered dulcimer - Wikipedia

    en.wikipedia.org/wiki/Hammered_dulcimer

    Download as PDF; Printable version ... This D major scale with a flatted seventh is the mixolydian mode ... notes of the chromatic scale being available. To fill in ...