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Kenneth Hayes Miller introduced Kuniyoshi to intaglio printmaking; he made approximately 45 such prints between 1916 and 1918. [6] One of Kuniyoshi's more popular Intaglio prints is Bust of a Woman, Head Inclined to the Right, which can be found in the collections of both The Metropolitan Museum of Art and the Museum of Modern Art.
These modifications set the foundation of Japanese-style calligraphy (Wayō 和様, as opposed to Chinese-style calligraphy or Karayō 唐様), which was later refined by other two masters, Fujiwara no Sukemasa and Fujiwara no Yukinari. Wayō was accredited and practiced, as a pure Japanese art form, until the mid-19th century.
Japanese painters used the devices of the cutoff, close-up, and fade-out by the 12th century in yamato-e, or Japanese-style, scroll painting, perhaps one reason why modern filmmaking has been such a natural and successful art form in Japan. Suggestion is used rather than direct statement; oblique poetic hints and allusive and inconclusive ...
This work has revolutionized the way Japanese art history is viewed, and Edo period painting has become one of the most popular areas of Japanese art in Japan. In recent years, scholars and art exhibitions have often added Hakuin Ekaku and Suzuki Kiitsu to the six artists listed by Tsuji, calling them the painters of the "Lineage of Eccentrics".
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Instead of drawing upon the older styles of well known works depicting Nichiren, Kuniyoshi's Sketches of the Life of the Great Priest shows the influence of the Kishi school, particularly the work of Kawamura Bunpō (河村文鳳) (1779–1821) as found in his gafu (picture album), [9] a landscape painting manual known as Bunpō sansui gafu (文鳳山水画) (A Book of Drawings of Landscapes ...
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Go Hirano (平野剛) was a Japanese homoerotic fetish artist. Hirano, along with Go Mishima , Sanshi Funayama , and Tatsuji Okawa , is regarded by artist and historian Gengoroh Tagame as a central figure in the first wave of contemporary gay artists in Japan.