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Japanese painters used the devices of the cutoff, close-up, and fade-out by the 12th century in yamato-e, or Japanese-style, scroll painting, perhaps one reason why modern filmmaking has been such a natural and successful art form in Japan. Suggestion is used rather than direct statement; oblique poetic hints and allusive and inconclusive ...
Ukiyo-e [a] (浮世絵) is a genre of Japanese art that flourished from the 17th through 19th centuries. Its artists produced woodblock prints and paintings of such subjects as female beauties; kabuki actors and sumo wrestlers; scenes from history and folk tales; travel scenes and landscapes; flora and fauna; and erotica.
This first form of ikebana was called kuge (供華). Patterns and styles evolved, and by the late 15th century arrangements were common enough to be appreciated by ordinary people and not only by the imperial family and its retainers, styles of ikebana having changed during that time, transforming the practice into an art form with fixed ...
In traditional Japanese aesthetics, wabi-sabi (侘び寂び) is centered on the acceptance of transience and imperfection. [2] The aesthetic is sometimes described as one of appreciating beauty that is "imperfect, impermanent, and incomplete" in nature. [3] It is prevalent in many forms of Japanese art. [4] [5]
However, after an initial burst of enthusiasm for western style art, the pendulum swung in the opposite direction, and led by art critic Okakura Kakuzō and educator Ernest Fenollosa, there was a revival of appreciation for traditional Japanese styles . In the 1880s, western style art was banned from official exhibitions and was severely ...
Gyotaku (魚拓, from gyo "fish" + taku "stone impression", fish print(ing)) is the traditional Japanese method of printing fish, a practice which dates back to the mid-1800s. This form of nature printing , where ink is applied to a fish which is then pressed onto paper, was used by fishermen to record their catches, but has also become an art ...
Rakugo, a form of yose. Yose was a popular form of spoken theatre in the Edo period. The term is the shortened form of Hito yose seki (人寄せ席, roughly "where people sit together"). Towards the end of the Edo period, there were several hundred theatres, about one per district (町, chō).
"Japanese Art from the Gerry Collection in The Metropolitan Museum of Art". The Metropolitan Museum of Art. MetPublications; Watson, William, ed. (1981). The Great Japan Exhibition: Art of the Edo Period 1600–1868. Royal Academy of Arts/Weidenfeld & Nicolson. Sanders, Herbert Hong. The World of Japanese Ceramics. Kodansha International LTD, 1967.
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