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The Magnificat (Latin for "[My soul] magnifies [the Lord]") is a canticle, also known as the Song of Mary or Canticle of Mary, and in the Eastern Orthodox Church as the Ode of the Theotokos (Greek: Ἡ ᾨδὴ τῆς Θεοτόκου).
These liturgies include the Magnificat hymn, which is one of the eight most ancient Christian hymns—perhaps the earliest, according to historian Marjorie Reeves. It is named after its first word in the 4th-century Vulgate Bible, based on Luke 1:46–55, and is widely used by Roman Catholics, Anglicans, and the Eastern Orthodox. [2]
The Magnificat, Wq 215, H.772, by Carl Philipp Emanuel Bach is a musical setting of the biblical canticle Magnificat as an extended composition for voices and orchestra in nine movements, composed in Berlin in 1749. It is the composer's first extant major choral composition.
The Benedictus (also Song of Zechariah or Canticle of Zachary), given in Gospel of Luke 1:68–79, is one of the three canticles in the first two chapters of this Gospel, the other two being the "Magnificat" and the "Nunc dimittis".
These common features include the themes, and the order in which they appear. A number of scholars believe that Luke used the song of Hannah for the basis of the Magnificat. [9] Charles Anang and others see Hannah as a "type" of Mary. [10] Both "handmaids" of God bore sons through divine intervention who were uniquely dedicated to God. [11]
Johann Sebastian Bach's Magnificat, BWV 243, is a musical setting of the biblical canticle Magnificat. It is scored for five vocal parts (two sopranos, alto, tenor and bass), and a Baroque orchestra including trumpets and timpani.
In 1724 Johann Sebastian Bach composed the church cantata Meine Seel erhebt den Herren, BWV 10, [a] as part of his second cantata cycle.Taken from Martin Luther's German translation of the Magnificat canticle ("Meine Seele erhebt den Herren"), the title translates as "My soul magnifies the Lord".
After the psalms, there is a reading from the Bible. Following the reading, there is a short responsory consisting of a verse, a response, the first half only of the Gloria Patri, and then the verse again. The Magnificat follows – the canticle of the Blessed Virgin Mary from the Luke 1:46–55 – the key
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