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Each story is tied together at the end, as part of the overall theme of why wild animals should remain in the wild and not in backyards. Many episodes deal with high-profile animal attack cases, such as the February 2009 mauling of Charla Nash by Travis , a 14-year-old chimpanzee who had lived as a pet for his entire life with Connecticut ...
With Fox in second place among adults 18 to 49 years old, this episode gained a total of 8.35 million viewers. [3] Kim Voynar of TV Squad wrote a favorable review, saying "This episode of Family Guy was just chock-full of the tasteless and tacky moments that make the show so popular."
The use of animals in the circus has been controversial since animal welfare groups have documented instances of animal cruelty during the training of performing animals. Animal abuse in circuses has been documented such as keeping them in small enclosures, lack of veterinary care, abusive training methods, and lack of oversight by regulating ...
The story is narrated by the horse Black Beauty herself as she grows up and passes from owner to owner, some kind, some cruel and some indifferent. Even for one not smitten by animals, it’s a ...
Animals (stylised Animals.) is an American adult animated [2] comedy television series created by Phil Matarese and Mike Luciano. The first two episodes were independently produced and presented at the Sundance Film Festival in January 2015. [3] In May 2015, HBO picked the series up with a two-season order, [4] which premiered on February 5 ...
TV critic and true-crime buff Lorraine Ali selects the 50 best true-crime documentaries you can stream on Netflix, HBO Max, Hulu, Prime Video and more.
18. Luca With nods to Italian films and Japanese animation, Pixar succeeds again with this magical coming-of-age tale about the summer adventures of a young boy (er… sea monster from a hidden ...
The Lives of Animals (1999) is a metafictional novella about animal rights by the South African novelist J. M. Coetzee, recipient of the 2003 Nobel Prize in Literature. [1] The work is introduced by Amy Gutmann and followed by a collection of responses by Marjorie Garber , Peter Singer , Wendy Doniger and Barbara Smuts . [ 2 ]