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The Research Organization for Archaeology, Language, and Literature (Indonesian: Organisasi Riset Arkeologi, Bahasa, dan Sastra, ORARBASTRA) [1] is one of Research Organizations under the umbrella of the National Research and Innovation Agency (Badan Riset dan Inovasi Nasional, BRIN). On 24 January 2022, the formation of the agency is announced ...
Ratna Indraswari (24 April 1949 – 28 March 2011), nicknamed the Queen of the Bees, was an Indonesian poet, author, and human rights activist.Paralyzed since the age of 10, she composed more than 400 short stories and novels during her life, including socially and critically engaged works such as the environmentalist Lemah Tanjung (2003).
Dan Perang Pun Usai (1979) Goenawan Mohamad (b. 1941) Parikesit (1969) Interlude (1971) Potret Seorang Penyair Muda Sebagai Si Malin Kundang (1972) Seks, Sastra, dan Kita (1980) Djamil Suherman (b. 1924) Perjalanan ke Akhirat (1962) Manifestasi (1963) Titis Basino; Dia, Hotel, Surat Keputusan (1963) Lesbian (1976) Bukan Rumahku (1976) Pelabuhan ...
Sucharitra scale with shadjam at C. It is the 1st rāgam in the 12th chakra Aditya.The mnemonic name is Aditya-Pa.The mnemonic phrase is sa ru gu mi pa dha na. [3] Its ārohaṇa-avarohaṇa structure (ascending and descending scale) is as follows (see swaras in Carnatic music for details on below notation and terms):
Keadaan dan Perkembangan Bahasa, Sastra, Etika, Tatakrama, dan Seni Pertunjukan Jawa, Bali, dan Sunda [The Status and Development of Javanese, Balinese, and Sundanese Language, Literature, Ethics, Manners, and Performance Arts] (in Indonesian). Yogyakarta: Project for the Research and Analysis of Works from Around the Archipelago.
Musi (Basé Musi) is a Malayic variety spoken primarily in parts of South Sumatra, Indonesia.While the name Musi in the broad sense can also refer to the wider Musi dialect network comprising both Upper Musi and Palembang–Lowland clusters, [2] it is locally used as an endonym specific to the variety spoken in the upstream parts of Musi River.
In Western literature, Shastra is sometimes spelled as Sastra, [4] reflecting a misunderstanding of the IAST symbol 'ś', which corresponds to the English 'sh'.
An alapana, sometimes also called ragam, [7] is the exposition of a raga or tone - a slow improvisation with no rhythm, [8] where the raga acts as the basis of embellishment. [9] In performing alapana, performers consider each raga as an object that has beginnings and endings and consists of sequences of thought.