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Its first known appearance was a joke published as a reader-submitted anecdote in Everybody's Magazine in 1908 regarding a chicken thief, formulated as, " 'Deed, sah, dey ain't nobody hyah 'ceptin' us chickens." [5] From there, it was picked up by newspapers and reprinted far and wide.
It ain't over till/until it's over; It ain't over till the fat lady sings; It ain't what you don't know that gets you into trouble. It's what you know for sure that just ain't so; It goes without saying; It is a small world; It is all grist to the mill; It is an ill wind (that blows no one any good) It is best to be on the safe side
German – Wenn Schweine fliegen können! is identical with the English saying "when pigs fly", although the older proverb Wenn Schweine Flügel hätten, wäre alles möglich ("if pigs had wings, everything would be possible") is in more common use, often modified on the second part to something impossible, like "if pigs had wings, even your ...
Claim to Fame season 3 contestant Shane Brando knows he confused some people with his chicken wing necklace. Warning: This article contains spoilers for season 3 of Claim to Fame.
Technically, a chicken tender can be a chicken finger, but a chicke n finger, if not made from the inner filet, cannot be a chicken tender, but that won't stop restaurants around the country from ...
The Libersign, a political emblem of the U.S. Libertarian Party during the 1970s, features an arrow diagonally crossing the letters "TANSTAAFL." "No such thing as a free lunch" (also written as "There ain't no such thing as a free lunch" and sometimes called Crane's law [1]) is a popular adage communicating the idea that it is impossible to get something for nothing.
Waylon's son Shooter Jennings performed a cover of this song on CMT Crossroads as a duet with Jamey Johnson.. On the tribute album I've Always Been Crazy: Tribute to Waylon Jennings, the song was covered by Metallica frontman James Hetfield.
"It Don't Mean a Thing (If It Ain't Got That Swing)" is a 1931 composition by Duke Ellington with lyrics by Irving Mills. It is now accepted as a jazz standard , and jazz historian Gunther Schuller characterized it as "now legendary" and "a prophetic piece and a prophetic title". [ 1 ]