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The "Acrobat", ceramic art from Tlatilco, dated 1200-900 BCE.This figurine's left knee has a hole for pouring liquid. Archaeologically, the advent of the Tlatilco culture is denoted by a widespread dissemination of artistic conventions, pottery, and ceramics known as the Early Horizon (also known as the Olmec or San Lorenzo Horizon), Mesoamerica's earliest archaeological horizon.
A major 1965 Olmec-oriented exhibition was entitled "The Jaguar's Children" and referred to the werejaguar as "the divine power of the Olmec civilization". [ 8 ] This paradigm was undermined, however, by the discovery that same year of Las Limas Monument 1 , a greenstone sculpture that displayed not only a werejaguar baby, but four other ...
The name "Olmec" means "rubber people" in Nahuatl, the language of the Nahuas, and was the Aztec term for the people who lived in the Gulf Lowlands in the 15th and 16th centuries, some 2,000 years after the Olmec culture died out.
Most of what is known about Olmec religion is speculative, but certain patterns do emerge at La Venta that are certainly symbolic and might have ritual meaning. For example, the crossed bands symbol, an X in a rectangular box, is often repeated in stone at La Venta, other Olmec sites, and continued to have significance to the cultures inspired ...
The site is well known for its extensive array of Olmec-style monumental art and iconography. Located in the southern portion of the Central Highlands of Mexico, Chalcatzingo is estimated to have been settled as early as 1500 BCE. The inhabitants began to produce and display Olmec-style art and architecture around 900 BCE. [1]
San Lorenzo and the Olmec heartland.. Matthew Stirling was the first to begin excavations on the site after a visit in 1938. [12] Between 1946 and 1970, four archaeological projects were undertaken, including one Yale University study headed by Michael Coe and Richard Diehl conducted between 1966 and 1968, followed by a lull until 1990.
This Mural [6] is situated above the mouth to the south grotto, and portrays what is most likely a ruler seated upon a throne similar to La Venta's Altar 4 or 5.The eyes of a primal cave monster, showing Olmec iconic crossed-bars, can be seen on the top edge of the throne (note that the ruler is also wearing a crossed-bars pectoral, perhaps linking him directly with the monster).
Covarrubias's caricature of himself as an Olmec. Miguel Covarrubias, also known as José Miguel Covarrubias Duclaud (22 November 1904 — 4 February 1957) was a Mexican painter, caricaturist, illustrator, ethnologist and art historian. Along with his American colleague Matthew W. Stirling, he was the co-discoverer of the Olmec civilization. [1]