Search results
Results from the WOW.Com Content Network
This is a list of deities playing a role in the Classic (200–1000 CE), Post-Classic (1000–1539 CE) and Contact Period (1511–1697) of Maya religion.The names are mainly taken from the books of Chilam Balam, Lacandon ethnography, the Madrid Codex, the work of Diego de Landa, and the Popol Vuh.
Matthew Looper, To be like Gods. Dance in Ancient Maya Civilization. University of Texas Press, Austin 2009. Bruce Love, 'Yucatec Sacred Breads Through Time'. In William F. Hanks and Don Rice, Word and Image in Maya Culture. Salt Lake City: University of Utah Press 1989. Bruce Love, The Paris Codex: Handbook for a Maya Priest. University of ...
The fox did not generally have a good reputation among the Inca or people of the Andes and was seen as an omen. Sacrifices to the gods included a variety of goods and animals, including humans, but were never seen to ever include foxes. Inca mythology contains references to gods being deceived by foxes.
Some scholars look at the linguistic relationships between the myths of different cultures. For example, the similarities between the names of gods in different cultures. One particularly successful example of this approach is the study of Indo-European mythology. Scholars have found striking similarities between the mythological and religious ...
Guarani mythology – an indigenous people of the Gran Chaco, especially in Paraguay and parts of the surrounding areas of Argentina, Brazil, and Bolivia and Some regions in the southern part of South America. Inca mythology (Religion in the Inca Empire) – a South American empire based in the central Andes mountain range.
The only Mayan light lord that has been identified is the God G9, Pauahtun the Aged Quadripartite God. [3] [4] The existence of a 9 nights cycle in Mesoamerican calendrics was first discovered in 1904 by Eduard Seler. The Aztec names of the Deities are known because their names are glossed in the Codex Telleriano-Remensis and Codex Tudela.
The Maya gods included Kukulkán (also known by the Kʼicheʼ name Gukumatz and the Aztec name Quetzalcoatl) and Tepeu. The two were referred to as the Creators, the Forefathers or the Makers. According to the story, the two gods decided to preserve their legacy by creating an Earth-bound species looking like them.
Classic Maya rule was centred in a royal culture that was displayed in all areas of Classic Maya art. The king was the supreme ruler and held a semi-divine status that made him the mediator between the mortal realm and that of the gods.