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The guinea pig or domestic guinea pig (Cavia porcellus), also known as the cavy or domestic cavy (/ ˈ k eɪ v i / KAY-vee), is a species of rodent belonging to the genus Cavia, family Caviidae. Breeders tend to use the name "cavy" for the animal, but "guinea pig" is more commonly used in scientific and laboratory contexts. [ 1 ]
The male guinea pigs usually have higher masses. The lifespan of these cavies is not well known due to limited data and lack of research; however Moleques do Sul guinea pigs had an average monthly survival rate of (0.81) which is high for a species within a small geographic location. [2]
The tribesmen chase and eventually corner the time traveling group to a steep rock formation, but the former group is scared off by the appearance of a large (live action) guinea pig, a possible ancestor to all Molcars. The time travel group thank the giant guinea pig and are about to leave when a snowstorm hits. Not wanting to leave the guinea ...
A male Abyssinian guinea pig. The Abyssinian is a breed of guinea pig that is relatively common as both a pet and show animal. The Abyssinian is set apart from other breeds of guinea pig by its coat, which is marked with radially growing swirls or cowlicks of hair referred to as rosettes.
A Sheltie guinea pig with lilac and white coloring. Guinea Pigs, also known as cavies (Cavia porcellus), have been domesticated since around (or cicra) 5000 BCE, leading to the development of a diverse array of breeds. These breeds exhibit a wide range of physical characteristics and serve various purposes.
Guinea Pig 2: Flower of Flesh and Blood (ギニーピッグ2 血肉の華, Ginī Piggu 2: Chiniku no Hana) is a 1985 film written and directed by Hideshi Hino, based on his horror manga works, and is the second entry in the series.
The Flora of Papua New Guinea, in the WGSRPD, is the flora of the eastern portion of island of New Guinea, i.e. that part of the island that is within the nation state Papua Niugini (Papua New Guinea).
Kundu drum, from Papua-New Guinea, Iatmul people, 20th century. [1] The crocodile is symbolic to the Iatmul, who believe they are descended from a giant crocodile, and that the world is the back of that first crocodile. [1] There are three crocodiles on this instrument: the handle and each of the drum openings (seen in the engravings).
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