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  2. Fundamental attribution error - Wikipedia

    en.wikipedia.org/wiki/Fundamental_attribution_error

    Salience of the actor. We tend to attribute an observed effect to potential causes that capture our attention. When we observe other people, the person is the primary reference point while the situation is overlooked as if it is nothing but mere background.

  3. Character actor - Wikipedia

    en.wikipedia.org/wiki/Character_actor

    A character actor may play a variety of characters in their career, often referred to as a "chameleon", or may be known for playing the same type of roles. Character actor roles are more substantial than bit parts or non-speaking extras. The term is used primarily to describe television and film actors, as opposed to theater actors. [9]

  4. Stanislavski's system - Wikipedia

    en.wikipedia.org/wiki/Stanislavski's_system

    An "unbroken line" describes the actor's ability to focus attention exclusively on the fictional world of the drama throughout a performance, rather than becoming distracted by the scrutiny of the audience, the presence of a camera crew, or concerns relating to the actor's experience in the real world offstage or outside the world of the drama.

  5. Character (arts) - Wikipedia

    en.wikipedia.org/wiki/Character_(arts)

    By contrast, round characters are complex figures with many different characteristics, that undergo development, sometimes sufficiently to surprise the reader. [17] In psychological terms, round or complex characters may be considered to have five personality dimensions under the Big Five model of personality. [18] The five factors are:

  6. Actor–observer asymmetry - Wikipedia

    en.wikipedia.org/wiki/Actor–observer_asymmetry

    Actor–observer asymmetry (also actor–observer bias or actor–observer difference) is a bias one makes when forming attributions about the behavior of others or themselves. [ 1 ] [ 2 ] [ 3 ] When people judge their own behavior, they are more likely to attribute their actions to the particular situation rather than their personality also ...

  7. Acting - Wikipedia

    en.wikipedia.org/wiki/Acting

    French stage and early film actress Sarah Bernhardt as Hamlet Actors in samurai and rōnin costume at the Kyoto Eigamura film set. Acting is an activity in which a story is told by means of its enactment by an actor who adopts a character—in theatre, television, film, radio, or any other medium that makes use of the mimetic mode.

  8. Presentational and representational acting - Wikipedia

    en.wikipedia.org/wiki/Presentational_and...

    In Stanislavski's approach, by the time the actor reaches the stage, he or she no longer experiences a distinction between his or her self and the character; the actor has created a 'third being', or a combination of the actor's personality and the role (in Russian, Stanislavski calls this creation artisto-rol). [7]

  9. Overacting - Wikipedia

    en.wikipedia.org/wiki/Overacting

    Overacting may be used to portray an outlandish character, or to stress the evil characteristics of a villain. [3] Actor Gary Oldman was almost typecast as an anti-social personality early in his screen career: [4] [5] the necessity to express villainous characters in an overtly physical manner led to the cultivation of a "big" acting style ...

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