Search results
Results from the WOW.Com Content Network
Halloween II is a 1981 American slasher film directed by Rick Rosenthal, in his directorial debut, written and produced by John Carpenter and Debra Hill, and starring Jamie Lee Curtis and Donald Pleasence, who reprise their respective roles as Laurie Strode and Dr. Sam Loomis.
Bane appears in The Batman, voiced by Joaquim de Almeida (in "Traction"), Ron Perlman (in "Team Penguin"), and Clancy Brown (in "The Batman/Superman Story"). [1] [2] [3] This version is a South American mercenary whose Venom-enhanced form possesses red skin. Bane appears in Batman: The Brave and the Bold, voiced by Michael Dorn.
Dimension re-released Halloween II in North America on October 30, 2009, to coincide with the Halloween holiday, [33] across 1,083 theaters. [34] The film was released on DVD and Blu-ray on January 12, 2010; the theatrical cut and an unrated director's cut, which Zombie says is "very different from the theatrical version," are available.
Many of Charles Cyphers' most prominent projects had ties to John Carpenter, with small parts in The Fog, Escape From New York, Halloween II, and Assault on Precinct 13, though he also appeared in ...
If you've noticed that Millie Bobby Brown's accent has changed from British to American in recent interviews, the actor has a reason why.. The 20-year-old actor has been promoting her new film ...
An infographic illustrating the continuity between the Halloween films. Described by Scott Mendelson of Forbes as the "Choose Your Own Adventure" of horror movie franchises, the franchise is notable for its multiple timelines, continuities, remakes and reboots, which can make it confusing for new viewers, often leading to articles explaining the previous films before each new release.
DC Studios has tapped screenwriter Matthew Orton (“Captain America: Brave New World”) to write a feature film that will involve Batman villains Bane and Deathstroke, Variety has confirmed.
In the 1990s, dialect coaches became significant in the film industry as more filmmakers began employing them to train actors to speak in accents. The Los Angeles Times described the general training approach, "It's a process that involves repetition, studying audio- and videotapes, visits to locations where the characters live, along with breathing and vocal exercises."