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A Mary Sue is a type of fictional character, usually a young woman, who is portrayed as free of weaknesses or character flaws. [1] The character type has acquired a pejorative reputation in fan communities, [2] [3] [4] with the label "Mary Sue" often applied to any heroine who is considered to be unrealistically capable.
Skin color contrast has been identified as a feminine beauty standard observed across multiple cultures. [7] Women tend to have darker eyes and lips than men, especially relative to the rest of their facial features, and this attribute has been associated with female attractiveness and femininity, [7] yet it also decreases male attractiveness according to one study. [8]
Flaws can add complexity, depth and humanity to the characters in a narrative. For example, the sheriff with a gambling addiction, the action hero who is afraid of heights, or a lead in a romantic comedy who must overcome his insecurity regarding male pattern baldness are all characters whose flaws help provide dimension.
There is an old proverb "white skin covers the seven flaws" (色の白いは七難隠す, iro no shiroi wa shichinan kakusu), which refers to a white-skinned woman being beautiful even if her features are not attractive. [a]
Fear of perceived body image flaws, misconceptions about one’s own physical appearance, body-checking behavior Body dysmorphic disorder ( BDD ), also known in some contexts as dysmorphophobia , is a mental disorder defined by an overwhelming preoccupation with a perceived flaw in one's physical appearance. [ 1 ]
Women in Ancient Greece wore himations; and in Ancient Rome women wore the palla, a rectangular mantle, and the maphorion. [ 54 ] The typical feminine outfit of aristocratic women of the Renaissance was an undershirt with a gown and a high-waisted overgown, and a plucked forehead and beehive or turban-style hairdo.
Alabama Republican Gov. Kay Ivey is set to sign a new bill that she says answers a simple question: What is a woman? The bill from state Rep. Susan DuBose, R-Leeds, and Sen. April Weaver, R ...
Although the archetype arose largely through feminism, it has not been universally well received by those supportive of women's rights. [5] Sophia McDougall of the New Statesman has criticized the high prevalence of strong female characters for creating a cliché that represents women as unrealistically strong; she argues that the simplicity of this archetype does little to present women in ...