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In 1969, she attended the Woodstock festival. [8] Veruschka inspired the most prestigious photographers of her time, like Franco Rubartelli, Richard Avedon, Bert Stern, David Bailey, Steven Meisel, Francesco Scavullo, and Peter Beard, who took her to Kenya and for big designers like Tom Ford, Michael Kors, Dolce & Gabbana and Ailanto.
The two women met months later in Columbus, where they each ran shops adjacent to Ohio State University with the men they went to Woodstock with. And they each married their concert companions, though Grant got a divorce several years later. David and Ellen Shelburne ran a film and video production company together until he died four years ago.
He gave her a Honeywell Pentax camera [10] [13] [11] and she began taking pictures of the musicians in the Bay Area and Los Angeles music scenes. In 1965, Bachelis met Tom Law, the road manager for Peter, Paul and Mary. [11] Law, his brother John Phillip Law, and their friend, Jack Simons, owned a four-story mansion in Los Feliz, known as the ...
Anita M. Smith (full name Anita Miller Smith, October 20, 1893 – 1968) was an impressionist and regionalist painter most closely associated with Woodstock, New York.In the 1930s Smith became an herbalist, and her venture, Stonecrop Gardens, was one of only five enterprises of like size in the Northeast, serving clients in every one of the 48 contiguous states. [1]
Here are more photos from Woodstock ’99 as the event devolved into chaos and destruction. Fans of Limp Bizkit commandeer the stage at Woodstock '99. (Frank Micelotta/ImageDirect via Getty Images ...
Princess Elizabeth and Princess Margaret starred in four Christmas pantomimes, staged each year from 1941 to 1944. The first production was Cinderella, followed by Sleeping Beauty, Aladdin, and ...
Beverly “Cookie” Grant hitchhiked to the Woodstock music festival in 1969 without a ticket and slept on straw. Ellen Shelburne arrived in a VW microbus and pitched a pup tent. The women, now ...
With carefully crafted tones of light, this photo of a pepper emphasizes third-dimensional depth while defying conventional interpretations of form. [s 3] See article Larmes: 1930 Man Ray Paris, France The photograph is an extreme close-up of a woman's upturned face with glass droplets placed on her cheeks to imitate tears. [s 1] [s 3] The Hague