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"True Blue" is a song by American singer Madonna from her third studio album of the same name (1986). Written and produced by the singer and her collaborator Stephen Bray, in Australia, New Zealand, and most European countries, it was released as the album's third single on September 29, 1986. In the United States, it was published on October 9.
"Live to Tell" is a song by American singer Madonna included on her third studio album True Blue (1986), and in the 1986 film At Close Range. A pop ballad with torch influences, its lyrics talk about deceit, mistrust and childhood scars.
True Blue is the "most polished" of Madonna's first three albums, according to El Hunt from the Evening Standard. [105] In the same vein, Mary Von Aue from Stereogum said it has "more vocal range and lyrical complexities" than Like a Virgin and Madonna. [106] True Blue was hailed "nine tracks of 80s pop
The song is a concert staple for the band, having been played live the third-most frequently of all songs. [15] It was one of the band's breakout singles, with lead vocalist Brandon Flowers saying that during one of the bands first trips to the UK for the NME awards, " Noel Gallagher came backstage and said he'd worked out how to play All These ...
It was one of the first blues songs to succeed as a pop song and remains a fundamental part of jazz musicians' repertoire. Benny Goodman , Louis Armstrong , Cab Calloway , Bing Crosby , Bessie Smith , Eartha Kitt , Count Basie , Glenn Miller , Guy Lombardo , Peanuts Hucko , Art Tatum , and the Boston Pops Orchestra (under the directions of both ...
"Blue" is a song released in 1958 by Bill Mack, an American songwriter-country artist and country radio disc jockey. It has since been covered by several artists, in particular by country singer LeAnn Rimes, whose 1996 version became a hit.
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"It's All Over Now, Baby Blue" is a song written and performed by Bob Dylan and featured on his Bringing It All Back Home album, released on March 22, 1965, by Columbia Records. The song was recorded on January 15, 1965, with Dylan's acoustic guitar and harmonica and William E. Lee's bass guitar the only