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Interior of La Fenice opera house in Venice in 1837. Venice was, along with Florence and Rome, one of the cradles of Italian opera. Italian opera is both the art of opera in Italy and opera in the Italian language. Opera was in Italy around the year 1600 and Italian opera has continued to play a dominant role in the history of the form until ...
c. 1725-c. 1825 Italian Classical Music and Comic Opera 1737 — The Teatro di San Carlo opens in Naples. 1753 — Pergolesi's La Serva Padrona (The Servant Mistress), plays in Paris and starts a continental rage for Italian comic opera. 1760 — La Cecchina by Niccolò Piccinni, later praised by Verdi as the first true Italian comic opera.
The physical resources for music advanced greatly during the 18th century. The great opera houses in Naples and Milan were built: the Teatro di San Carlo and La Scala, respectively. It is the age, as well, of the rise to prominence of the Neapolitan—and then Italian—Comic opera.
Handel's last opera that he composed in Italy was a great success, [11] and established his reputation as a composer of Italian opera. [12] 1711 Rinaldo (Handel). Handel's first opera for the London stage was also the first all-Italian opera performed on the London stage. [13] 1724 Giulio Cesare (Handel). Noted for the richness of its ...
The Italian word opera means "work", both in the sense of the labor done and the result produced. The Italian word in turn derives from the Latin opera.Opera is also the Latin plural of opus, with the same root, but the word opera was a singular Latin noun in its own right, and according to Lewis and Short, in Latin "opus is used mostly of the mechanical activity of work, as that of animals ...
This is a timeline of Italian history, comprising important legal and territorial changes and political events in Italy and its predecessor states, including Ancient Rome and Prehistoric Italy. Date of the prehistoric era are approximate. For further background, see history of Italy and list of prime ministers of Italy
The place of honor in the house has a tormented existence, relating not only to the history of the opera house but also to the political and historic events of the city of Venice. The royal box was not part of Giannantonio Selva's original plan for La Fenice; at the time of its construction the house contained only boxes of the same size.
Opera originated in Italy at the end of the 16th century (with Jacopo Peri's mostly lost Dafne, produced in Florence in 1598) especially from works by Claudio Monteverdi, notably L'Orfeo, and soon spread through the rest of Europe: Heinrich Schütz in Germany, Jean-Baptiste Lully in France, and Henry Purcell in England all helped to establish their national traditions in the 17th century.